Salieri Vietnam Story

CRÉPIEUX-Jamin (1858-1940)

'L'harmonie de l'écriture est faite de ses proportions heureuse, de sa Clarté, de l'accord between toutes ses parties. Les simple lines, spare et aises, précisent Davantage sa valeur. L'harmonie de l'écriture correspondence to that character is the mark of superiority.
disproportions, exaggerations and inconsistencies are enough, on the other hand, to characterize the writing inharmonious, but its lower floors are formed with the assistance of the confusion, complication, and especially the grossièreté.L ' disharmony of writing reveals the inferiority of character. "

J. Crépieux-Jamin, 1930

's work Crépieux-Jamin developed the vocabulary handwriting, has proposed a classification of graphic signs and noted avenues for psychological interpretation. It should be noted the lack of reference to any particular theory of personality. Somehow, this is not the writing that reflects the personality but the reverse: the specific dynamics of the writing lead de facto dynamic personality. Only the moral logic gives an impression of cohesion in its approach to human psychology.
Crépieux-Jules Jamin is a leading French handwriting which contributed to the development of this practice. He was raised by his mother at Arras in northern France, and was destined to become a watchmaker. The development of this industry, however, threatened trade and Crépieux-Jamin then proceeded to dentistry. In 1889 he moved to Rouen, opened a dental practice and married a woman who gave him several children. Jamin admits Crépieux-Freemason, anti-militarist and anti-clerical. He discovered the writings of Michon and develops a growing interest in graphology. In 1897, he was mandated to participate in the expertise of the "slip" in the Dreyfus affair. First compiling a psychological profile to the detriment of the accused, the handwriting changes his mind and says that the author Text is not compromising Alfred Dreyfus. His involvement in this matter will not let him free. By defending Dreyfus, he is under pressure and threats. Customers deserting his dental practice. He devoted himself mainly to its occupation of handwriting.
From theoretical point of view, the positions of Crépieux-Jamin should be placed in line with those of Michon. The vocabulary of the two men is similar. Crépieux-Jamin however take a series of laws (some of which contradict those of Michon) and a new classification of graphic signs. These two syntheses
orientation (and mainly that of Harmony) thus allow the author to detect the superiority or inferiority of the writer in terms of intelligence, morality and desire. In his book "ABC of graphology, Crépieux-Jamin fifteen sets rules" whose handwriting it must be inspired to achieve the best results "(1930, p. 19). These rules mainly recommend that we should not engage in a thorough review handwriting on one document, it must classify the graphical features in order of intensity, etc.. These principles are still quoted and used by French graphologists current.

handwriting analysis conducted by Julius Crépieux-Jamin, undated. Departmental archives of the Pas-de-Calais, 79 J 5.

Between 1903 and 1907, Crépieux-Jamin participated in the experiments of Alfred Binet. At that time, Binet was interested in any evidence of human intelligence. During these few years, Crépieux corresponds with Jamin-Binet and conducts handwriting analysis to the blind. The synthesis of these experiments is published in 1906 (Binet, 1906). The work
Crépieux-Jamin developed the vocabulary handwriting, has proposed a classification of graphic signs and indicated trails psychological interpretation. It should be noted the lack of reference to any particular theory of personality. Somehow, this is not the writing that reflects the personality but the reverse: the specific dynamics of the writing lead de facto dynamic personality. Only the moral logic gives an impression of cohesion in its approach to human psychology.