THE DAYS OF THE OTHER Pordenone 27/02/11
Round Pordenone for the rest of football that will fall to 5 in the field to Valleloncello March 3, for the important direct clash against Bologna Study 4.
depressing weekend for our standard-bearer of Hockey (A1) and basketball (B). Pordenone 2004 lost 9-5 against the Palamarrone Forte dei Marmi, the Forum passes easily Castelnuovo (60-47), which takes off in the fourth quarter after three partial ugly fight but for the spectators. For both our teams exit the field between the grumbling of fans now too resigned to challenge openly. For Pienne the only hope of staying in B is the repechage for the hockey arancioblu truth is approaching the challenge with Prato. Losing one is A2, or play-out.
Monday, February 28, 2011
Math Is Cool Cube Field
The Bottecchia yet conquered
After SandonàJesolo, Rovigo and Chioggia, including the City of Concord from Bottecchia back with three points. The Bianconeri have guests spend the fifth with a shot from outside Della Bianca, seemed not irresistible. The Pordenone press throughout the first half, however, creating opportunities worthy of note. Of note just a nice volley of Buttignaschi finished high over the crossbar. In the second half the neroverdi continue to attack and begin to create some scoring important, especially with Rossi, who misses a step away from the door. Rossi himself gets a net penalty in the 65th, an episode that provokes protests incomprehensible to guests. The coach and defenseman Bisioli Cervasio are expelled. Bailer transformed. At this point the home crowd pushing to get the win, but it happens more or less what happened during the game with Chioggia guests outnumbered returns, always with Della Bianca exceeding Battiston with a shot from outside the . Needless forcing the end of Pordenone, and the small Concordia bring home three points having passed twice the midfield throughout the game. Very disappointing evidence of neroverdi who have great difficulty when they face teams perched on defense. Not even proof of our wonderful supporters, very erratic in cheer. Next Sunday we play Quinto di Treviso.
After SandonàJesolo, Rovigo and Chioggia, including the City of Concord from Bottecchia back with three points. The Bianconeri have guests spend the fifth with a shot from outside Della Bianca, seemed not irresistible. The Pordenone press throughout the first half, however, creating opportunities worthy of note. Of note just a nice volley of Buttignaschi finished high over the crossbar. In the second half the neroverdi continue to attack and begin to create some scoring important, especially with Rossi, who misses a step away from the door. Rossi himself gets a net penalty in the 65th, an episode that provokes protests incomprehensible to guests. The coach and defenseman Bisioli Cervasio are expelled. Bailer transformed. At this point the home crowd pushing to get the win, but it happens more or less what happened during the game with Chioggia guests outnumbered returns, always with Della Bianca exceeding Battiston with a shot from outside the . Needless forcing the end of Pordenone, and the small Concordia bring home three points having passed twice the midfield throughout the game. Very disappointing evidence of neroverdi who have great difficulty when they face teams perched on defense. Not even proof of our wonderful supporters, very erratic in cheer. Next Sunday we play Quinto di Treviso.
Sunday, February 27, 2011
Viral Infection In The Eye
deontologique européen Code of graphologie
-Graphology , human science, technical observation and interpretation, allows the study of personality by examining the writing. The handwriting-
studying the personality of the writer. He works exclusively on authentic manuscripts. It performs this analysis and synthesis in response to a request for business or pleasure.
-The handwriting has a duty to maintain and develop their skills.
-The handwriting is committed to using only the methods for its practical work in the limits of his knowledge and experience. The handwriting-
refrain from issuing diagnoses in areas reserved for the medical profession. Any graphologist
-signatory of this code should not bring up his diplomas on graphology business records, if they are associated with an activity related to the occult or divination. He must refrain from making publications or advertising in periodicals pertaining to this same type of activity.
-Work done by handwriting require respect for moral and professional values. The handwriting must safeguard its independence in all circumstances, his honesty and his sense of humanity. It must not be influenced by any bias in respect of any question of gender, race, politics, social class and religion.
-In any study, the handwriting expert care tact and discretion. In the work of professional selection, it avoids dealing with aspects of the personality of the writer who is not related to the criteria of the post. His language should be clear, careful, unambiguous. It must be in its work completely impartial and refuse any analysis of convenience.
-The handwriting will not be used in order to harm others, the documents and the information it holds. As the sole judge of the value of documents submitted to him, he may refuse to perform an analysis without having to give reasons. He must refuse to give an opinion on a document which he knows to have been embezzled or stolen. He should refuse to work on documents faxed or photocopied because they affect the quality of the line. The handwriting-
must respect the laws of his country regarding the human person and especially the privilege that must be kept both verbally and in disseminating the documents.
-The lawful possessor of a document is solely responsible for the consequences to the analysis. The results must be sent exclusively to the applicant. The handwriting-
not include clients with their consent. He can not communicate or publish texts, or their analysis, with the consent of the person du du document or possesseur.
-Chaque association or Groupement ayant signé ce graphologues of code to read the déontologie s'engage respecter et faire appliquer par chacun de ses membres diplomas. Les infractions du Conseil de discipline relèvent of chacun des Associations des pays or co-Groupements signataires.

Developed at the instigation of the French Society of Graphology and Handwriting of the Groupement des-Tips
France This European Code of Conduct is intended to define the rights and duties of graphologists anxious to practice their profession in accordance with professional ethics.
France This European Code of Conduct is intended to define the rights and duties of graphologists anxious to practice their profession in accordance with professional ethics.
-Graphology , human science, technical observation and interpretation, allows the study of personality by examining the writing. The handwriting-
studying the personality of the writer. He works exclusively on authentic manuscripts. It performs this analysis and synthesis in response to a request for business or pleasure.
-The handwriting has a duty to maintain and develop their skills.
-The handwriting is committed to using only the methods for its practical work in the limits of his knowledge and experience. The handwriting-
refrain from issuing diagnoses in areas reserved for the medical profession. Any graphologist
-signatory of this code should not bring up his diplomas on graphology business records, if they are associated with an activity related to the occult or divination. He must refrain from making publications or advertising in periodicals pertaining to this same type of activity.
-Work done by handwriting require respect for moral and professional values. The handwriting must safeguard its independence in all circumstances, his honesty and his sense of humanity. It must not be influenced by any bias in respect of any question of gender, race, politics, social class and religion.
-In any study, the handwriting expert care tact and discretion. In the work of professional selection, it avoids dealing with aspects of the personality of the writer who is not related to the criteria of the post. His language should be clear, careful, unambiguous. It must be in its work completely impartial and refuse any analysis of convenience.
-The handwriting will not be used in order to harm others, the documents and the information it holds. As the sole judge of the value of documents submitted to him, he may refuse to perform an analysis without having to give reasons. He must refuse to give an opinion on a document which he knows to have been embezzled or stolen. He should refuse to work on documents faxed or photocopied because they affect the quality of the line. The handwriting-
must respect the laws of his country regarding the human person and especially the privilege that must be kept both verbally and in disseminating the documents.
-The lawful possessor of a document is solely responsible for the consequences to the analysis. The results must be sent exclusively to the applicant. The handwriting-
not include clients with their consent. He can not communicate or publish texts, or their analysis, with the consent of the person du du document or possesseur.
-Chaque association or Groupement ayant signé ce graphologues of code to read the déontologie s'engage respecter et faire appliquer par chacun de ses membres diplomas. Les infractions du Conseil de discipline relèvent of chacun des Associations des pays or co-Groupements signataires.
__________________________________
consider important to know the various codes of ethics of Graphology, so we can improve, where necessary, existing in Brazil.
Diy Ultrasonic Speakers For Birds
Lifes
Devaluation of this pictorial genre is reflected in his own name in Romance languages, "still life", "Still Life", and in the Saxon language, "still life", "Stilleben" (still life life in suspension). Caravaggio (1571 - 1610) is one of the pioneers in the genre, exercised between 1592 and 1599 (detail of Bacchus, 1593, Basket of Fruit, 1596). The choice of "natural painting of natural things" (highlighting the presence of the body and the reality revealed by detailed object of the contrasts of light and shadow), the choice of popular brands to compose religious scenarios and taste for genre scenes mark the works of the Milanese painter, one of the first to challenge the hierarchy imposed by the theorists of the era that saw the still life as a minor matter. "It costs me so much work to make a good picture of flowers as a table of figures," he says. In Spain, Juan Sánchez Cotán (1560 - 1627) renews the genre, drawing upon the opening of windows to frame the objects (Still Life with Quince, Cabbage, Melon and Cucumber, 1600). In the south, the theme is adopted by Zubaran Francis (1598 - 1664), which develops a naturalistic religious work, producing a parallel series of still lifes and genre scenes. In Madrid, Juan van der Hamen y León (1596 - 1631) gives new dimensions to this type of painting, arranging the objects in different levels and reducing the number of scene elements (Still Life with Fruit and Silverware, 1626).
Jean-Siméon Chardin (1699 - 1779) is the great French painter of still lifes and works of the genre. In the famous Stingray (1728) to show their preferences of composition: a shelf of stone and the austere interior ambience, the objects arranged in a practical (suggesting human activity), the textures of linen and ceramics, the cat among the oysters and bloody stingray in the center of the frame. Chardin small screens - with kitchen items and their users, environments domestic and everyday scenes - affiliate themselves to the tradition of Dutch painting cabinet. In the nineteenth century, the Impressionists, though accustomed to outdoor landscapes, still lifes are going to hold, but with Paul Cézanne (1839-1906) that the genre takes on new dimensions, immortalized by the compositions performed with apples since 1870. Unlike de Chardin, whose work allude to the preparation of food in the kitchen and the tools of the artist, the works of Cezanne objects appear disconnected from their use. "Suspended between nature and usefulness, [apples of Cezanne] exist only to be contemplated", the historian U.S. Meyer Schapiro.
arrangements of disparate objects in different compositions and collages by Juan Gris (1887-1927), Pablo Picasso (1881-1973) and Georges Braque (1882-1963) still life associate directly to Cubism, although the gender across all modern art, as indicated by the works of Vincent van Gogh (1853 - 1890), Fernand Léger (1881 - 1955), Henri Matisse (1869-1954), Chaim Soutine (1893 - 1943), Pierre Bonnard (1867 - 1947), among others. Giorgio Morandi (1890 - 1964) is the most modern painters which focuses on still lifes. Its objects - bottles, candlesticks, jars - compounds based on subtle color combinations, are emptied literary and symbolic content, which gives these works a highly personal diction.

Inanimate objects are represented in painting since the Middle Ages, general fund religious paintings as realist. But it is only in the mid-sixteenth century that still life emerged as an independent artistic genre in the works of painters such as Pieter Aertsen (1507 or 1508 to 1575) and Jacopo Bassano (ca.1510 - 1592), which articulate the religious themes to life daily and genre scenes. The symbolic and grotesque compositions of Giuseppe Arcimboldo (ca.1527 - 1593) - with fruits, animals and objects composing pictures - feed into the development of still life in the period. In moving to the seventeenth century, the figuration document required by the natural sciences play a prominent role in the recovery of an art that aims to represent the objects and nature such as empirically observed - for example, Jacopo Ligozzi (1547-1627). Thus, the process of gradual autonomy of still life painting tracks both naturalistic (associated with scientific illustration) and genre painting, exemplarily represented by the Dutch artists of the seventeenth century and its domestic issues, figured in great detail. Objects frequently chosen to compose still lifes are tables with food and drinks, tableware, flowers, fruits, musical instruments, books, tools, pipe, tobacco, etc., all referred to the private and domestic sphere, the vocations and to hobbies, decoration and living inside the house.

Devaluation of this pictorial genre is reflected in his own name in Romance languages, "still life", "Still Life", and in the Saxon language, "still life", "Stilleben" (still life life in suspension). Caravaggio (1571 - 1610) is one of the pioneers in the genre, exercised between 1592 and 1599 (detail of Bacchus, 1593, Basket of Fruit, 1596). The choice of "natural painting of natural things" (highlighting the presence of the body and the reality revealed by detailed object of the contrasts of light and shadow), the choice of popular brands to compose religious scenarios and taste for genre scenes mark the works of the Milanese painter, one of the first to challenge the hierarchy imposed by the theorists of the era that saw the still life as a minor matter. "It costs me so much work to make a good picture of flowers as a table of figures," he says. In Spain, Juan Sánchez Cotán (1560 - 1627) renews the genre, drawing upon the opening of windows to frame the objects (Still Life with Quince, Cabbage, Melon and Cucumber, 1600). In the south, the theme is adopted by Zubaran Francis (1598 - 1664), which develops a naturalistic religious work, producing a parallel series of still lifes and genre scenes. In Madrid, Juan van der Hamen y León (1596 - 1631) gives new dimensions to this type of painting, arranging the objects in different levels and reducing the number of scene elements (Still Life with Fruit and Silverware, 1626).
Jean-Siméon Chardin (1699 - 1779) is the great French painter of still lifes and works of the genre. In the famous Stingray (1728) to show their preferences of composition: a shelf of stone and the austere interior ambience, the objects arranged in a practical (suggesting human activity), the textures of linen and ceramics, the cat among the oysters and bloody stingray in the center of the frame. Chardin small screens - with kitchen items and their users, environments domestic and everyday scenes - affiliate themselves to the tradition of Dutch painting cabinet. In the nineteenth century, the Impressionists, though accustomed to outdoor landscapes, still lifes are going to hold, but with Paul Cézanne (1839-1906) that the genre takes on new dimensions, immortalized by the compositions performed with apples since 1870. Unlike de Chardin, whose work allude to the preparation of food in the kitchen and the tools of the artist, the works of Cezanne objects appear disconnected from their use. "Suspended between nature and usefulness, [apples of Cezanne] exist only to be contemplated", the historian U.S. Meyer Schapiro.
arrangements of disparate objects in different compositions and collages by Juan Gris (1887-1927), Pablo Picasso (1881-1973) and Georges Braque (1882-1963) still life associate directly to Cubism, although the gender across all modern art, as indicated by the works of Vincent van Gogh (1853 - 1890), Fernand Léger (1881 - 1955), Henri Matisse (1869-1954), Chaim Soutine (1893 - 1943), Pierre Bonnard (1867 - 1947), among others. Giorgio Morandi (1890 - 1964) is the most modern painters which focuses on still lifes. Its objects - bottles, candlesticks, jars - compounds based on subtle color combinations, are emptied literary and symbolic content, which gives these works a highly personal diction.

In the history of Brazilian art compositions with fruits and vegetation of Albert Eckhout (ca.1610-ca.1666) are among the first still lifes made. You can follow the genre during the nineteenth century, with the productions of Agostinho da Motta (1824-1878) and Stephen Smith (ca.1844-1891), significant painters in the context of Rio. In São Paulo, in the first half of the twentieth century, there is a production of Peter of Alexandria (1856-1942). With the artists gathered at the Center Bernardelli e Grupo Santa Helena, nas decades of 1930 and 1940, or gender ganhar importância na nova Brazilian art. We years of 1950, Milton Dacosta (1915 - 1988), Maria Leonie (1917 - 1984), Iberê Camargo (1914 - 1994), among outros, realizam natureza-morta.
Cheapest Bus To Woodbury Commons
Gaudí y el genio de la contradicción
Here's another of the contradictions of the architect of the Sagrada Familia. At a time like few other academic and scholarly, was a rabid individualist who did not hinder his fantasy and his never stopped embracing originality. The superficial observer ensure
that has never been an architect so wedded to the past, less traditional, in a word: it is an anti-historical architect. And yet, it's not that simple and soon appears to us another of its contradictions and listening to the most interesting of which can reveal more intimate areas of her sensitivity. In the background, turning the tables, we can say that Gaudí is one of the most delicately historicist architects who ever lived. But it has been in a subtle, indirect, implied. This is what distinguishes him from his contemporaries, a Puig, a Domènech, a Mélida, a Rodriguez Ayuso, a Repullés.
seems that living in the Catalan atmosphere end of the century would bring the medievalism that was so attached to the local environment. But along with the medieval Gothic character, we find a significant influence of Gaudí mudejarism.
Mudejar is one of the first explosion, exorbitant and youth, of his wit: Casa Vicens (1878 to 1880). The most suggestive Mudejarism bill is in the interior of the Palace Güell (1885-1888), one of the artist's masterpieces. The interiors, exquisite frankly, are treated with a sense of spatial fragmentation and fully Moorish which emits a magical effect, as enchanted palace. In tough mudejarism imbued the convent Hispanic of the Teresas in Bonanova (1889-1894), whose rigged plants remind us of the warm texture of the walls of Toledo. For me, this is one of the most important buildings of Gaudí's work, perhaps the favorite of all, because it combines the highest originality with a unique balance, based on linear rhythms. In its entirety grid, for the simplicity of its volume and its evocative skyline, it seems the work of a young teacher of today, like Paul Rudolph and Minoru Yamasaki.
I also discovered the work of Gaudí a Japanese architect named Tokutoshi Torii, entitled The enigmatic world of Gaudí. A two-volume work very interesting. Torii
had come to Spain with a scholarship from your country to study architecture was done in Spain. On leaving Barcelona in a subway station on Paseo de Gracia, was found with the Casa Batlló and he became as entranced, he forgot all his plans and only wanted to study to Gaudí. He came to Madrid and asked to enter my study, where I ordered a board and a place to work, to me all excited and gave me as I asked.
In the days and months, I saw his work was developing and as there was a strange rapport between the genius of Gaudi and the sensitivity of young Japanese architect. Then I understood that there is a strange symbiosis between the world of Gaudí and the Japanese world. The Japanese mentality spiritualized matter and embodies the spirit, and understand that nothing else does the work of Gaudí, to the point of maximum tension.
Every work of Gaudí and especially the Sagrada Familia or the Colonia Güell Chapel, is a matter spiritualized counterpart to realize the spiritual yearning.
musician with his symphonies, the poet with his rhymes and dreams, live in complete spiritual outpouring, but Gaudí needed to appeal the matter to infuse his own spirit, a spirit, which, not fit within the limits Earthlings, wants to raise the sky.
This will to understand the harmony between the world of Gaudí with all Eastern and summarized in the view that the architect spiritualized matter simultaneously embodies the spiritual yearning. The Sagrada Familia is an example of what we say.
The amazing genius of Gaudi, leads us to conclude that led the artist's own confidence in his powers, has moved beyond what we might call the rules of the game, and has started to explore new and dangerous territory where the rules no muse prudent compass and square.
Such is the case, for example, the Casa Mila on Passeig de Gracia in Barcelona, \u200b\u200bpopularly known as La Pedrera (1905-1907). This is one of the masterful creations of Gaudi's genius in full bloom and development. Rarely stone has been treated with a solemnity as cyclopean and strong as here. This facade is more than architectural geology. The vertical mismatch between their holes, and variety, gives an impression of total block that has not been reached following the beaten path of urban architecture to date. It was one of his brilliant insights. The locks of the house is one of the wonders of his creative muse. No precedent, however remote, can help us understand the true creation ex nihilo. Folded and twisted irons have a something dry and prickly vegetation that combines beautifully with the architecture and geological molar La Pedrera. The cover, with its undulating slopes and fanciful chimneys and gables, is one of the best examples of abstract sculpture teacher. Here again we have escaped the boundaries of architecture, seeking greater freedom.
One reason for the popularity of Gaudí lies in that to be always moving in adjacent areas, not enclosed in jail ever methodological architecture. Lay people and even the learned, are seldom drawn by the architectural aesthetic emotion, which must yield the field to the other arts-painting, music, sculpture much more expressive. To the extent that Gaudí escapes or fails to architecture, extending the range of emotional spectrum and art reaches most extensive and numerous. People have called it "rock poet" phrase, on the other hand, quite topical and can not say anything, because there is no reason that can not be maintained the same, even if it is different poetry of Juan de Herrera and El Escorial. But to call this "poet in stone" applies to us to understand how the public has always wanted to extol the values \u200b\u200bextraarquitectónicos teacher. The best proof of its popularity is that it is the only architect who has a Society of Friends whose purpose is to exalt su picture; it that, cierto, hare admirable. (By Fernando Chueca Goitia, in http://cvc.cervantes.es/actcult/gaudi/chueca.htm )

Gaudí may be said of many things. I've said in the very different sites, in books, articles, essays, and I also had a very good time watching their work, so contradictory at times.
Gaudí begins as a contradiction in itself, which does not mean that his work lacks coherence or unity, that's another matter. Indeed there are works of Gaudí in which these contradictions have generated a powerful expression unit.
Consider some of these contradictions. For example, Gaudí is a great constructive genius, arguably one of the greatest geniuses that ever lived builders. Architectural elements-arches, domes, columns, etc.-are designed to serve the mechanical function they exert. This theory has led to the parabolic arches and columns inclined peculiar features of his style. According to César Martinell, this represents the biggest advance of the stone architecture from the time pointed to us. But at the same time this master of construction and sternotomy, because it can go beyond the laws of mechanics, it often bloody mockery and ridicule them. In the Park Güell, Doric columns, which indicate almost classic heaviness and relaxation, support a roof that looks like a soft velarium, pouched by the weight of water or moved by the wind, a perfectly anticonstructiva, in contradiction to the rigidity of columns. This is one of the resources that the teacher has to obtain aesthetically disconcerting effects. The soft forms, in contrast to the geometric hardness are pure surrealism, and surrealism is one of the ingredients of Gaudí negligible. So Dalí considered as a precursor and, shortly after his death, gave a lecture on him in Paris that went almost unnoticed. So could speak of "edible Beauté et l'terrifiant Modern Style Architecture" in the newspaper Le Minotaur.
The big builder is, paradoxically, the architect who created the most brilliant sculptural forms and bold, as are the chimney pots of Palau Guell and La Pedrera, covers the entrance hall of the Park Güell, the terminals towers of the Sagrada Familia and types of windows of the latter, in my opinion, the best of his sculptures, in which we find a strange premonition Cubism to Lipchitz. The only thing that is loosely sculpturally Gaudí's work is very figurative sculpture that decorated the facade of the Nativity of Sagrada Familia. Defense found ways most fantasy animals, birds and shellfish, especially, but the human figures, with its trivial realism, are insipid.
Gaudí begins as a contradiction in itself, which does not mean that his work lacks coherence or unity, that's another matter. Indeed there are works of Gaudí in which these contradictions have generated a powerful expression unit.
Consider some of these contradictions. For example, Gaudí is a great constructive genius, arguably one of the greatest geniuses that ever lived builders. Architectural elements-arches, domes, columns, etc.-are designed to serve the mechanical function they exert. This theory has led to the parabolic arches and columns inclined peculiar features of his style. According to César Martinell, this represents the biggest advance of the stone architecture from the time pointed to us. But at the same time this master of construction and sternotomy, because it can go beyond the laws of mechanics, it often bloody mockery and ridicule them. In the Park Güell, Doric columns, which indicate almost classic heaviness and relaxation, support a roof that looks like a soft velarium, pouched by the weight of water or moved by the wind, a perfectly anticonstructiva, in contradiction to the rigidity of columns. This is one of the resources that the teacher has to obtain aesthetically disconcerting effects. The soft forms, in contrast to the geometric hardness are pure surrealism, and surrealism is one of the ingredients of Gaudí negligible. So Dalí considered as a precursor and, shortly after his death, gave a lecture on him in Paris that went almost unnoticed. So could speak of "edible Beauté et l'terrifiant Modern Style Architecture" in the newspaper Le Minotaur.
The big builder is, paradoxically, the architect who created the most brilliant sculptural forms and bold, as are the chimney pots of Palau Guell and La Pedrera, covers the entrance hall of the Park Güell, the terminals towers of the Sagrada Familia and types of windows of the latter, in my opinion, the best of his sculptures, in which we find a strange premonition Cubism to Lipchitz. The only thing that is loosely sculpturally Gaudí's work is very figurative sculpture that decorated the facade of the Nativity of Sagrada Familia. Defense found ways most fantasy animals, birds and shellfish, especially, but the human figures, with its trivial realism, are insipid.

Here's another of the contradictions of the architect of the Sagrada Familia. At a time like few other academic and scholarly, was a rabid individualist who did not hinder his fantasy and his never stopped embracing originality. The superficial observer ensure
that has never been an architect so wedded to the past, less traditional, in a word: it is an anti-historical architect. And yet, it's not that simple and soon appears to us another of its contradictions and listening to the most interesting of which can reveal more intimate areas of her sensitivity. In the background, turning the tables, we can say that Gaudí is one of the most delicately historicist architects who ever lived. But it has been in a subtle, indirect, implied. This is what distinguishes him from his contemporaries, a Puig, a Domènech, a Mélida, a Rodriguez Ayuso, a Repullés.
seems that living in the Catalan atmosphere end of the century would bring the medievalism that was so attached to the local environment. But along with the medieval Gothic character, we find a significant influence of Gaudí mudejarism.
Mudejar is one of the first explosion, exorbitant and youth, of his wit: Casa Vicens (1878 to 1880). The most suggestive Mudejarism bill is in the interior of the Palace Güell (1885-1888), one of the artist's masterpieces. The interiors, exquisite frankly, are treated with a sense of spatial fragmentation and fully Moorish which emits a magical effect, as enchanted palace. In tough mudejarism imbued the convent Hispanic of the Teresas in Bonanova (1889-1894), whose rigged plants remind us of the warm texture of the walls of Toledo. For me, this is one of the most important buildings of Gaudí's work, perhaps the favorite of all, because it combines the highest originality with a unique balance, based on linear rhythms. In its entirety grid, for the simplicity of its volume and its evocative skyline, it seems the work of a young teacher of today, like Paul Rudolph and Minoru Yamasaki.
I also discovered the work of Gaudí a Japanese architect named Tokutoshi Torii, entitled The enigmatic world of Gaudí. A two-volume work very interesting. Torii
had come to Spain with a scholarship from your country to study architecture was done in Spain. On leaving Barcelona in a subway station on Paseo de Gracia, was found with the Casa Batlló and he became as entranced, he forgot all his plans and only wanted to study to Gaudí. He came to Madrid and asked to enter my study, where I ordered a board and a place to work, to me all excited and gave me as I asked.
In the days and months, I saw his work was developing and as there was a strange rapport between the genius of Gaudi and the sensitivity of young Japanese architect. Then I understood that there is a strange symbiosis between the world of Gaudí and the Japanese world. The Japanese mentality spiritualized matter and embodies the spirit, and understand that nothing else does the work of Gaudí, to the point of maximum tension.
Every work of Gaudí and especially the Sagrada Familia or the Colonia Güell Chapel, is a matter spiritualized counterpart to realize the spiritual yearning.
musician with his symphonies, the poet with his rhymes and dreams, live in complete spiritual outpouring, but Gaudí needed to appeal the matter to infuse his own spirit, a spirit, which, not fit within the limits Earthlings, wants to raise the sky.
This will to understand the harmony between the world of Gaudí with all Eastern and summarized in the view that the architect spiritualized matter simultaneously embodies the spiritual yearning. The Sagrada Familia is an example of what we say.
The amazing genius of Gaudi, leads us to conclude that led the artist's own confidence in his powers, has moved beyond what we might call the rules of the game, and has started to explore new and dangerous territory where the rules no muse prudent compass and square.
Such is the case, for example, the Casa Mila on Passeig de Gracia in Barcelona, \u200b\u200bpopularly known as La Pedrera (1905-1907). This is one of the masterful creations of Gaudi's genius in full bloom and development. Rarely stone has been treated with a solemnity as cyclopean and strong as here. This facade is more than architectural geology. The vertical mismatch between their holes, and variety, gives an impression of total block that has not been reached following the beaten path of urban architecture to date. It was one of his brilliant insights. The locks of the house is one of the wonders of his creative muse. No precedent, however remote, can help us understand the true creation ex nihilo. Folded and twisted irons have a something dry and prickly vegetation that combines beautifully with the architecture and geological molar La Pedrera. The cover, with its undulating slopes and fanciful chimneys and gables, is one of the best examples of abstract sculpture teacher. Here again we have escaped the boundaries of architecture, seeking greater freedom.
One reason for the popularity of Gaudí lies in that to be always moving in adjacent areas, not enclosed in jail ever methodological architecture. Lay people and even the learned, are seldom drawn by the architectural aesthetic emotion, which must yield the field to the other arts-painting, music, sculpture much more expressive. To the extent that Gaudí escapes or fails to architecture, extending the range of emotional spectrum and art reaches most extensive and numerous. People have called it "rock poet" phrase, on the other hand, quite topical and can not say anything, because there is no reason that can not be maintained the same, even if it is different poetry of Juan de Herrera and El Escorial. But to call this "poet in stone" applies to us to understand how the public has always wanted to extol the values \u200b\u200bextraarquitectónicos teacher. The best proof of its popularity is that it is the only architect who has a Society of Friends whose purpose is to exalt su picture; it that, cierto, hare admirable. (By Fernando Chueca Goitia, in http://cvc.cervantes.es/actcult/gaudi/chueca.htm )
Patella Surgery In Dogs
Theatro Municipal do Rio de Janeiro
The façade stand out: the access staircase, the sight of two floors and three domes of the roof. The sense of verticality of the facade is given by the large columns in the main body and the columns of smaller roundabouts side. The balance of the lines are classic, but the profusion of decoration barroco.Na us back to the sidewalk, before and sides staircase, two granite columns, supporting lamps, ornaments and bronze emblem município.Na bottom and sides of the facade, the stairs are granite of Candelaria, and the pedestals of the columns and the garrisons of the gateways to the public. The color of the granite does highlight the bronzes, the six central pillars of Italian marble and marble from Belgian roundabouts laterais.As three main doors are wood and protected by bronze gates. Saint-arched, and the windows of the main speakers are fourteen rotundas.As Carrara marble, Corinthian. The emblem appears on the capitals of the municipality. About six columns central front, a small cornice and a decorative frieze has focused upon the inscription "Municipal Theater." Above this, in a small gable, there is the inscription "MCMV - MCMIX", flanked by sculptures of Rodolpho: Poetry and Music in the central facade, Dance and Singing in the Avenida Rio Branco and the Tragedy and Comedy Thirteen Avenue in May. Upstairs the main body, the roundabouts and the side stairways, large windows with stained glass windows are rectangular, with the three central and two side of the stairs, bearing precious German stained glass, with the figures of the muses of protective gear. Names of teachers of music and drama are engraved on the glass panes of roundabouts: Wagner, Carlos Gomes and Verdi; Goethe, Martin Pena and Molière.Sobre roundabouts there are two domes, covered with copper. On the main body there are three different vaults. The first covers the foyer of the hall, second hall of the main staircase and the third is the great dome, in the form of theater. All of them in copper. There is also a cover on the fourth stage and a fifth over the area of \u200b\u200bfunds from the theater. Over the first three domes there, on top, milky glass beads, illuminated from within. The central sphere, which has a diameter of 1.80 meters, holds a golden eagle copper, which is 2.80 meters long and 6 meters wide at its side walls asas.Nas Atlantean figures, in bronze, like caryatids represent the seasons and there is a profusion of decorative elements to the taste of the art-nouveau. Attention is drawn in each hand, loggie equipped with railings, with six marble columns each; on them, arched windows provide lighting bar gallery and Documentation Centre. And comic masks of the god Pan indicate the source of most classical decorative elements used in the theater.
placing the viewer towards the entrance of the Hall will see, beyond the 456 seats, the audience - all wood and velvet, and around, the 22 stalls. Above the balcony of her prime with 344 seats and 12 cabins and cabin lighting and sound. Upstairs are the 500 balcony seats up these simple and the 724 seats in the gallery, 2244 assentos.Voltando totaling up toward the stage will see the two big boxes on the sides of the frieze of the proscenium arch, drawing Elyseu Visconti, and the left of the Governor of the State and the right of the President. Below them is the orchestra pit, located on the lower level of the audience, with its floor sits on a hydraulic lift, q ue moves vertically according to the needs of the performances. Above the frieze of the proscenium is "Poetry and Love away the Virtue of Vice" to Elyseu Visconti, floating against a blue background of the Sierra Órgãos.Olhando up will see one of the wonders of theater, the large central chandelier, all in gilt bronze, with its 118 lamps with crystal pendants and sleeves, surrounded by dancing to "The Oreadas," one of the masterpieces of Visconti. The
Assyria down the stairs to the side of the headgear in the corridors of stalls, there are the lobbies of Assyria restaurant with eight tables mosaic Gian Domenico Facchina, featuring scenes from famous pieces of Dramatic universal. The restaurant is number one in the whole South America, all coated in glazed pottery, inspired by the ancient Babylon. The site is divided into two plans, the roof supported by columns that low end with heads of bull, in Persian style. In his notes we find the decoration Lions ramp and the stairs of the palace of Artaxerxes, the stresses of the archers, the throne room of Darius I, the huge Kerubs, which line the stairs. There are still Gilgamesch the palace of Sargon and two beautiful fountains, Persian and Babylonian motifs. The note also the inset in antique bronze mirrors and lamps extremely original.

One of the most beautiful buildings of Rio de Janeiro, located in Praça Floriano, known as the Municipal Theater, in downtown, the Municipal Theater is the main home for shows in Brazil and one of the most important in South America since its inauguration on July 14, 1909, the Theatre has received the major international artists, as well as top Brazilian artists, dance, music and opera. Initially, the Theater was just a playhouse, which received mostly foreign companies, mostly brought from Italy and France. From the 30s, the City now has its own body art, orchestra, chorus and ballet (for the history of each check Artistic Directors). The three still in full swing and carry out various own productions each year. Today the Municipal Theater of Rio de Janeiro is the only cultural institution in Brazil to keep both a choir, a symphony orchestra and a ballet company. Mayor of the Federal District, between the years 1902 and 1906, the engineer Pereira Passos planned it as the finishing touch of the reform that took place in the city of Rio de Janeiro, and the Theatre built on the fusion of the architectural design of Francisco de Oliveira Passos, the Albert Guilbert, who had tied the contest organized for the design of the new theater. The design of the building was inspired by the Paris Opera, built by Charles Garnier.
The façade stand out: the access staircase, the sight of two floors and three domes of the roof. The sense of verticality of the facade is given by the large columns in the main body and the columns of smaller roundabouts side. The balance of the lines are classic, but the profusion of decoration barroco.Na us back to the sidewalk, before and sides staircase, two granite columns, supporting lamps, ornaments and bronze emblem município.Na bottom and sides of the facade, the stairs are granite of Candelaria, and the pedestals of the columns and the garrisons of the gateways to the public. The color of the granite does highlight the bronzes, the six central pillars of Italian marble and marble from Belgian roundabouts laterais.As three main doors are wood and protected by bronze gates. Saint-arched, and the windows of the main speakers are fourteen rotundas.As Carrara marble, Corinthian. The emblem appears on the capitals of the municipality. About six columns central front, a small cornice and a decorative frieze has focused upon the inscription "Municipal Theater." Above this, in a small gable, there is the inscription "MCMV - MCMIX", flanked by sculptures of Rodolpho: Poetry and Music in the central facade, Dance and Singing in the Avenida Rio Branco and the Tragedy and Comedy Thirteen Avenue in May. Upstairs the main body, the roundabouts and the side stairways, large windows with stained glass windows are rectangular, with the three central and two side of the stairs, bearing precious German stained glass, with the figures of the muses of protective gear. Names of teachers of music and drama are engraved on the glass panes of roundabouts: Wagner, Carlos Gomes and Verdi; Goethe, Martin Pena and Molière.Sobre roundabouts there are two domes, covered with copper. On the main body there are three different vaults. The first covers the foyer of the hall, second hall of the main staircase and the third is the great dome, in the form of theater. All of them in copper. There is also a cover on the fourth stage and a fifth over the area of \u200b\u200bfunds from the theater. Over the first three domes there, on top, milky glass beads, illuminated from within. The central sphere, which has a diameter of 1.80 meters, holds a golden eagle copper, which is 2.80 meters long and 6 meters wide at its side walls asas.Nas Atlantean figures, in bronze, like caryatids represent the seasons and there is a profusion of decorative elements to the taste of the art-nouveau. Attention is drawn in each hand, loggie equipped with railings, with six marble columns each; on them, arched windows provide lighting bar gallery and Documentation Centre. And comic masks of the god Pan indicate the source of most classical decorative elements used in the theater.
Nothing simpler than the internal distribution of the hall. In the main body are placed into the entrance hall, foyer and vestibule escadas.Do, sideways, goes directly to the audience and stalls, leave it and the two side stairs that with the elevators on the left, leading to the upper floors. At its entrance are two bronze statues of the French sculptor Raoul Verlet they represent, to the left "The Dance", and the right "Poetry." The two sides roundabouts serve rest to the public. All the sumptuous decoration of the hall is made of marble of various origins, onyx, and bronze mirrors dourados.No opposite the entrance of the audience are five busts of Charles Gomes, Joao Caetano, Arthur Azevedo, Francisco Pereira Passos and Francisco de Souza Aguiar and corridors of stalls start two staircases that lead not only to the three upper floors and the restaurant Assyria, on the floor inferior.A main staircase gives access to the noble floor where the foyer, cabins, seats of the balcony and the two noble loggie side of the theater. This famous staircase that breaks after the first pitch, opening up for bids on two sides, is all done in two kinds of onyx, bronze and gold crystals. For it opens up the railings of decks being higher than the first are of the same material of the ladder, while the other floors are iron Cast and marble. On top of a marble statue representing Injalbert Jean Antoine "The Truth." Dela goes to the foyer, all decorated in Louis XVI style, where two pieces of art stand out: the three precious stained glass windows, and Fuerstein Fugel created in Stutgart and the dome painted by Eliseu Visconti from 1913 to 1916. In the two roundabouts there to admire the roofs, written by Henrique Bernardelli, 1908, and the panels, with scenes of dances from different countries, painted in 1916 by Rodolfo Amoedo.Nesta floor open two beautiful loggie with magnificent ceilings, ceramic , Venetian mosaic floors and marble counters in their overlooking the street. In the shop on Avenida Rio Branco a ceramic panel represents "The Modern Dance," made in Paris. Its counterpart, the side of May Avenue Thirteen, who represented "The Ancient Dance" was lost after a reform of the theater suffered. For these loggie open up the five existing branches in the corridors of simple counter.

placing the viewer towards the entrance of the Hall will see, beyond the 456 seats, the audience - all wood and velvet, and around, the 22 stalls. Above the balcony of her prime with 344 seats and 12 cabins and cabin lighting and sound. Upstairs are the 500 balcony seats up these simple and the 724 seats in the gallery, 2244 assentos.Voltando totaling up toward the stage will see the two big boxes on the sides of the frieze of the proscenium arch, drawing Elyseu Visconti, and the left of the Governor of the State and the right of the President. Below them is the orchestra pit, located on the lower level of the audience, with its floor sits on a hydraulic lift, q ue moves vertically according to the needs of the performances. Above the frieze of the proscenium is "Poetry and Love away the Virtue of Vice" to Elyseu Visconti, floating against a blue background of the Sierra Órgãos.Olhando up will see one of the wonders of theater, the large central chandelier, all in gilt bronze, with its 118 lamps with crystal pendants and sleeves, surrounded by dancing to "The Oreadas," one of the masterpieces of Visconti. The
Assyria down the stairs to the side of the headgear in the corridors of stalls, there are the lobbies of Assyria restaurant with eight tables mosaic Gian Domenico Facchina, featuring scenes from famous pieces of Dramatic universal. The restaurant is number one in the whole South America, all coated in glazed pottery, inspired by the ancient Babylon. The site is divided into two plans, the roof supported by columns that low end with heads of bull, in Persian style. In his notes we find the decoration Lions ramp and the stairs of the palace of Artaxerxes, the stresses of the archers, the throne room of Darius I, the huge Kerubs, which line the stairs. There are still Gilgamesch the palace of Sargon and two beautiful fountains, Persian and Babylonian motifs. The note also the inset in antique bronze mirrors and lamps extremely original.
Costco Food Stamps 2010
Universidad Alcalá de Henares - Madrid
Aunque ya since 1293, accounting Alcalá con un Estudio General aprobado por el Rey Sancho IV, la Universidad de Alcalá founded by fue el Regente de España, el Cardenal Cisneros, in 1499 as an educational project completely new. It reconciled the best models in the tradition of so-Salamanca_ Paris and those other more innovative as Bologna and Louvain. Cardinal Cisneros wanted this University, who was born with the Modern Age in Spain and advanced currents of European Renaissance and humanist, was the crucible in which to educate not only the regular and secular clergy ready to face ecclesiastical reform but also competent new staff needed by the kingdoms of Spain. The success of that company made that Alcala became the seat of a university aristocracy made possible the Renaissance and the centuries Oro.Durante XVI and XVII, the University of Alcalá became the major center of academic excellence in the classroom taught and studied great masters such as Nebrija, Tomás de Villanueva, Gines de Sepulveda, Ignacio de Loyola, Domingo de Soto, Ambrosio de Morales, Arias Montano, Juan de Mariana, Francisco Valles de Covarrubias, Juan de la Cruz, Lope de Vega, Quevedo, etc. The prestige of study as well as her teachers soon became the model on which the new universities were established in América.El eighteenth century, especially in the last third, was especially critical for university studies in Spain, that were subjected to far-reaching reforms in their teaching methods. However, during this period when Melchor de Jovellanos comes to our university and confer the degree of Doctor of Philosophy, the first woman to receive it in Spain, Maria Isidro de Guzman and Cerda.Trasladada to Madrid in mid- nineteenth century as a result of the confiscation process, the expectation of recovery of the University of Alcalá was kept alive since then thanks to Condueños Society. The breath of Alcala, the prestige of its past, the recovery of historical memory and the new impetus given to education in Spain's transition to democracy in 1977 made it possible to reopen its classrooms University of Alcalá. From then until now, the collective effort and tenacity of their managers have made it possible to retrieve their intellectual heritage, cultural and architectural heritage. The uniqueness of the university model, the historical contribution to literature and science, beauty and richness of its buildings has made the December 2, 1998, UNESCO declared the University of Alcalá, a World Heritage Site.
Currently, the University of Alcala is a modern institution, medium size, known in Europe and America as a role model. In the classical humanistic studies and social sciences, the University of Alcalá incorporated the latest degrees in all scientific fields such as health sciences or engineering sciences distributed at various campuses, which are all of them, along with the Science and Technology Park, a crucial factor of international and dynamic element of región.Sus activity in our nearly 25,000 students, 1,700 teachers and 800 administrative and service workers give life to 41 degrees Officers, 15 Officers Graduate programs, 43 doctorates (15 of them with Quality Mention) and an important range of Masters and Graduate Studies. The high quality of its studies, the development of important research, sus relaciones internacionales, el interés art-historical flagship of sustainable buildings, nuevas y sus instalaciones y su modern full demands Adaptación a las del trabajo current market sitúan la vanguardia a la de las public universities.
Aunque ya since 1293, accounting Alcalá con un Estudio General aprobado por el Rey Sancho IV, la Universidad de Alcalá founded by fue el Regente de España, el Cardenal Cisneros, in 1499 as an educational project completely new. It reconciled the best models in the tradition of so-Salamanca_ Paris and those other more innovative as Bologna and Louvain. Cardinal Cisneros wanted this University, who was born with the Modern Age in Spain and advanced currents of European Renaissance and humanist, was the crucible in which to educate not only the regular and secular clergy ready to face ecclesiastical reform but also competent new staff needed by the kingdoms of Spain. The success of that company made that Alcala became the seat of a university aristocracy made possible the Renaissance and the centuries Oro.Durante XVI and XVII, the University of Alcalá became the major center of academic excellence in the classroom taught and studied great masters such as Nebrija, Tomás de Villanueva, Gines de Sepulveda, Ignacio de Loyola, Domingo de Soto, Ambrosio de Morales, Arias Montano, Juan de Mariana, Francisco Valles de Covarrubias, Juan de la Cruz, Lope de Vega, Quevedo, etc. The prestige of study as well as her teachers soon became the model on which the new universities were established in América.El eighteenth century, especially in the last third, was especially critical for university studies in Spain, that were subjected to far-reaching reforms in their teaching methods. However, during this period when Melchor de Jovellanos comes to our university and confer the degree of Doctor of Philosophy, the first woman to receive it in Spain, Maria Isidro de Guzman and Cerda.Trasladada to Madrid in mid- nineteenth century as a result of the confiscation process, the expectation of recovery of the University of Alcalá was kept alive since then thanks to Condueños Society. The breath of Alcala, the prestige of its past, the recovery of historical memory and the new impetus given to education in Spain's transition to democracy in 1977 made it possible to reopen its classrooms University of Alcalá. From then until now, the collective effort and tenacity of their managers have made it possible to retrieve their intellectual heritage, cultural and architectural heritage. The uniqueness of the university model, the historical contribution to literature and science, beauty and richness of its buildings has made the December 2, 1998, UNESCO declared the University of Alcalá, a World Heritage Site.

Currently, the University of Alcala is a modern institution, medium size, known in Europe and America as a role model. In the classical humanistic studies and social sciences, the University of Alcalá incorporated the latest degrees in all scientific fields such as health sciences or engineering sciences distributed at various campuses, which are all of them, along with the Science and Technology Park, a crucial factor of international and dynamic element of región.Sus activity in our nearly 25,000 students, 1,700 teachers and 800 administrative and service workers give life to 41 degrees Officers, 15 Officers Graduate programs, 43 doctorates (15 of them with Quality Mention) and an important range of Masters and Graduate Studies. The high quality of its studies, the development of important research, sus relaciones internacionales, el interés art-historical flagship of sustainable buildings, nuevas y sus instalaciones y su modern full demands Adaptación a las del trabajo current market sitúan la vanguardia a la de las public universities.
Friday, February 25, 2011
Ovarian Cyst And Knee Pains
GRAPHOLOGY - Technical or Science?
SCIENCE, PSYCHOLOGY Y GRAPHOLOGY
(By J. Tutusaus - BULLETIN NUMBER 3 , Agrupación of Grafoanalistas Advisory España)
Science, leyes y theories
La palabra "scientific" invented by fue William Whewell in 1840 and the term "science" in its modern sense first appeared in the "Oxford Dictionary" in 1867.
According to common definitions, science could be defined as follows: science is the branch of knowledge concerning a coordinated and organized body of truths explained and demonstrated to a certain set of propositions or correct the narrative description of experienced events observed, classified methodically and coordinated by interrepración under general laws, and that includes reliable hypothesis for the further discovery of new activities in the domain is concerned.
Thus, science is only with statements that can be tested by empirical observation. That is, about things that can be described first, and then explained by a description logic of cause and effect. However, without a methodology for the elaboration of principles or general laws and theories, science would be such. The assumptions also must be verified experimentally.
observation and empirical experience involves a precise analysis, accurate and consistent of the events, while recognizing that in many cases, empirical knowledge rests on the subjective experience of the investigator. The empirical work is the unshakable basis on which to rest any generalization, principle or theory developed. In a sense, empirical science is the opposite of the theory. However, empirical work can reorient itself experimental and observational work. The empirical is closely related to technical, as almost all sciences, even the most abstract, have had their starting point in a technique. Therefore, it is true that research does not always precede the practical and even, sometimes, the intuitive researcher makes discoveries that later studies. Thus, any law or principle can be derived from empirical research or practical applications. However, in the first place, both empirical research and practical applications have had their origin in more or less original insights.
All experimental sciences are basically inductive. The inductive method is the most used is the most universally used, is to spend a few facts or general concepts that are tested by means of control and eriencia. Without this method of modern science would be lost.
empirical inductive method proceeds in the same manner specified in the definition of science given at the beginning:
1 phase. Data accumulation.
2 phase. Organization of data to find common patterns.
3 phase. Reasonable hypothesis in the form of principles that suggest the possible solution.
4 phase. Verification of the hypothesis.
A scientific law is an assertion of an unchanging, universal, essential and necessary that acts as a lowest common denominator to explain the greater number of experimental facts in the cause-effect relationship by making "generalizations tentative" high probability inductively through the methodological process of analysis and synthesis based on the repetitiveness of phenomena in identical circumstances.
All laws used to similar situations, and as Kant says, "everything that happens presupposes Previous something, which is the purpose in accordance with law. "That is, in equal conditions the same cause produces the same effect.
Nevertheless, the so-called" scientific laws "do not aspire to be valid general and absolute. Laws are not the final word, its constants are approximate only apply to relatively stable complexes. This is natural as well as future experiments, new data and better means of observation can Canvi empirical bases gave rise to certain laws. The scientific objective is to increase the number of laws, but accept any more logical, coherent, concise and supported by experimental facts.
The problem of science is the pursuit of "truth" rather abstract term recently used by scientists, but this can only be defined as "an accurate description of the world as it is in reality."
theories or hypotheses should form a system that relate to each other interpretations and explanations of all phenomena observed in a set of laws or principles with logical consistency, so that they can predict certain facts, derived from the new var propositions, generate research and suggestions RIR relationships that have not yet been tested or explored.
A theory should be taken in principle by some while the facts do not permit the production of a new theory that the scrolls. The axiomatic basis of the theory should be announced clearly, eliminating irrelevant aspects.
Limitations of Science.
In the scientific objectivity is desirable, but not always affordable, as is often the result of a subjective function-based on their previous posts more or less speculative nature. On the other hand, we must resist the notion that whatever it is p na study has to be described math-i 'mind. In other words, what can not be measured if
have great meaning and be subject to serious research. Despite
the rigor of empirical or inductive method, we must emphasize that there is much in the Universe can not be seen through scientific methods, and also what abe is not definitive, science does not support dogmas, as its truths are, most often, transitory and incomplete and does not reach-ing the essence of things. Poincaré showed that the science part of the hypothesis "comfortable" rather than choosing, paradoxically, logically, the most true. However, certain hypotheses are the result of an approach to truth through successive approximations and continuous correction tinged with juxtapositions. Also, formal logic has limited power; cer can not established the truth of the premises used in their deductions, and can avoid subjectivism. John Stuart Mill 'stated strongly that any definition of science must be "progressive" and "provisional."
In our age of relativism, the scientist is no firm basis to know the truth, or if we want we, the surrounding reality, and ultimately, the scientific data are considered likely based on changing circumstances, in a word relative.
Modern science is facing insoluble dilemmas. Newtonian physics said that the world was completely organized and that all events occurring under rigid natural laws hence the great progress of science from Newton and others, as it was to discover the laws inherent in all phenomena. But now under the discoveries related to quantum physics, it has been demonstrated that the material moves in an unspecified manner, ie, natural laws are not always rigid cause-effect relationships are variable, hence widely accepted theory that Heisenberg submicroscopic events do not occur in an appropriate relationship of cause and effect. This new conception of natural law is contrary to generally accepted determinism fatalistic character, mainly in the field of psychology. It has also been shown that maths is not accurate and it is not possible to predict with complete certainty the statistical calculation of probabilities. For all these reasons, we reach the con-cluded that the new physics does not allow observing the world with complete objectivity.
Henri Bergson, the most notable intuitionist philosopher of modern times, explained that the reason can only provide abstract knowledge, but never enough to penetrate the reality of life, time and space. Intellectual knowledge, he says, is external on abstract and partial, while the intuitive knowledge, when such is internal, immediate, vivid and complete. Extending the concept of "intuitive knowledge" may include Husserl, who says that out of the "enlightened view" of the essence no certainty is possible. Or put another way, it is not possible any particular research without acknowledging the essence.
Another limitation of science is that every area of \u200b\u200bhuman knowledge tends to develop the research method that is most appropriate, since any truly new science comes into existence only as you invent your own methods.
We must bear in mind the above, as there is a tendency to think that the advancement of our knowledge is extreme, being that the progress made in two in the last half century should be to us an lesson in humility rather than pride, because pre-cisely in psychology have been slow and insufficient.
Psychology, its importance and usefulness
seems that the term psychology was first used by the Protestant reformer Philip chton Mela in 1560. Before you use the word test, a term first introduced by Cattell in 1890, Julius had used the word Bahus characterologies in 1867. The use of psychological tests, as well as its creation is due originally to Galton about 1883. The most important test to measure the CI was not developed until 1904 by Binet-Simon. The Tests most important projects, namely, that of Hermann Rorschach was not developed until the period comprises from 1911 to 1921, although the term "projective techniques you" was not used until 1939 and introduced by Franck.
Psychology can be defined as the "science of conduct" has always covered a singular importance, so Goethe once said that "knowing the measure itself is a great strength." Alfred Adler in his book "The knowledge of man" speaks of the immense utility that could arise from the Psychological Science: "The men would live together much better if more knowledge of man, because certain forms disappear disrupters of the common life which are only now possible for not knowing, being thus exposed to pe-ger to be misled by external things and incur other misrepresentations and concealment. "Also in terms of optimism like Erich Fromm says "The Know thyself is one of the key slogans of force and human happiness."
modern times, psychology has undergone a huge expansion. For example, U.S. enn American Psychological Association comprises some 40,000 members, being that in 1890 only involved about 20 people. A-spite of this, the benefits appear may result from this science are viewed with considerable pessimism today, well as a distinguished psychologist George A. Miller has come to ask the question: why us psychologists, we can not solve the conflicts of our departments or professional associations to direct our more successful than others, suddenly proclaim that our work will solve the problems much more difficult for the decline of cities, racial conflict, international relations, public education or mental health? ". Certainly if psychologists ready-den being human behavior specialists are not able to project more light on human dilemmas hands, such as drug addiction, the state of the economy, pollution, etc. are all problems caused by people, the future of psycho-logical science and even society as a whole is bleak and uncertain. Amen
past, present or future of psychology, the most pressing issue is its scientific discussed both from outside and from the bosom of their theoretical and professional.
The scientific character of psychology.
psychology and biology, ethics and sociology, etc., Have seen the need to de-velop its own methods of investigation and that the constant term that characterizes the laws of das-called "science" is relative in respect to psychobiological dynamics. Psychology is experiencing major difficulties to establish itself as reliable science when trying to apply the same laws of physics that are rigid and analytical, while in psychology are both synoptic. General science in investigating real data, while psychology is concerned with the significance and meaning of these data. The introduction of scientific methodology has not been enough to make psychology a science homogeneous results, important as they are, are fragmented and dispersed, and as Jean Feller "is difficult to draw any that can be called, finalmen-te, the knowledge of man. "
The basic and fundamental difficulty for a systematic elaboration of the" science of behavior "is that life, the self, consciousness, emotions, etc. escape analysis, research and reduction palpable rigorous laws. In other words, man is too complex and indivisible for Abar-market as a whole and in its uniqueness and, therefore, can not be reduced to external habits, fragmentary results of test or simple physiological drives. As well said Allport, "the person is a shattered and never repeated phenomenon that at any time beyond the traditional scientific approach."
Finally, psychology is a science difficult to define and, as someone said, psychology lost its "psyche" and became a science of "mind", then missed the "mind" and became science "conscience." Finally, he lost his "conscience" and became a science of "behavior." When behaviorism, which is the prevailing theory, which is more scientific than the others, is replaced by another theory, what will become of the "behavior"? Certainly the behavior tends to be replaced, as we shall see, by human psychology, but nevertheless, it is almost impossible to find Psychology as complete a search for and find, simultaneously, the nature, the intimate mechanism, the meaning and purpose of psychic phenomena.
We would be cautious in the sense that although the concept of consideration of science, in terms of psychology is radically irreconcilably divided into two opposing factions: the experimental, with its roots in behaviorism, and the clinical field, which should Psychoanalysis, therefore no one must conclude that psychology is not science. In any case, is a "science education."
Different approaches in psychology.
is undeniable that progress sweeping of psychology Sigmund Freud is because psychoanalytic theories and their more or less dissidents cas. Your system can not always demonstrate through accepted scientific methods, or be attacked in a way that Freud considered valid, and that their "resistance" they say, can be explained psychoanalytically. Their belief in the unconscious determinants is a valid part-ogy in contemporary psychology. It must be emphasized that Freudian psychoanalysis is a "performance art" that gives meanings to expressions, slips, etc ... in short, is an art or science exegetical, as Paul Ricoeur and is based much more than it seems on intuition, without excluding any item of information, although it tends to oppose the statistical methods probably Psychoanalysis and Clinical Psychology, in its broadest sense, will remain the only method of in-depth study of the individual as well as in therapy, which does not is easy to discern in experimental psychology that is the only scientist in the classic sense of the term. Besides being an intuitive interpretive methodology, it is also introspective and can be regarded as valid because they show overlapping findings of different researchers who have used it.
must not ignore that psychoanalysis has been severely criticized and condemned for its methodology académic.a not branded, but no other approach to psychology has proved so fruitful for psychological research.
Other renowned clinical psychologists have established propositions quite opposite to the position of Freud. Rank, the father of social work in the U.S., presented the idea that the will was an important determinant of behavior. Frankl said that the patient must develop a more positive image of itself. Glasser emphasizes the moral responsibility of the subject. And finally, Rogers also dismisses Freud's pessimism and its rigid determinism.
The broad spectrum of psychology Clinic has over 200 "schools" differ from therapy, with over 10,000 specific techniques, so FH Garrison has been said that "when there are many remedies used for a disease, we can say we know very little about it" .
The "second Iuerza is behaviorism and behaviorism says truly experimental methods scientists use, which are based delicacy medially in the" animal psychology, statistics and factorial. However, weaknesses provides for easy refutaci n. Behaviorism is based on the re-strapping Pavlov conditioned. More fundamental criticism against reflexology is that its denial of freedom, the reduction of the psyche to stimulus-response scheme and exclusion which makes consciousness and introspection, it does not take into account that human behavior is not always predictable human responses involving sense, the idea of \u200b\u200bvalue, intent and meaning that can only be understood and observed subjectively and introspectively at their own conscience. In other words, psychic phenomena have final character. Consciousness is only known by another consciousness, or in other words, psychic phenomena must be apprehended subjectively. The objectified the psyche is just a physiological aspect, but not all the psyche. Man is
more than an outward behavior with principles of objective or observable physical or physiological, since you can not remove the self conscious, voluntary choice, experiencing deep and unexpressed mental activities. If the internal ideas, according to Skinner, are "fiction", the same behavioral perspective can be quite properly labeled "fiction", therefore, his theories of determinism so tight that deny the dignity of man are destroyed themselves.
We can not ignore the issue of tests developed through systematic analysis factorialist, nor fall into the easy cliché that "a test is not anything, but anything can be converted into a test. "Still, we must make some repairs to the respective factor analysis, as a significant danger is to fall into the so-called operation of SS Stevens, who said:" Do not waste time trying to agree on definitions For example, what is "intelligence." Let's say, however, intelligence is simply what tests measure. "Thus, there is the danger of vagueness. The theory of fac-torial features is a fragmentary theory has not sufficiently taken into account the various forms of in-interaction between the subject and the environmental reality, and also certain factors have an irreducible basis doubtful and difficult to prove, as well as ta work capacity or not derived from other dimensions. The traditional tests, which investigate the various components of personality, not expressed in the mutual interferences in-unit structure, hence the synthesis of anecdotal evidence that gets put to the psychologist in the inevitable risk of falling into subjectivism and incompleteness. The danger of the factorial is called reductionism, which is the assumption that all human behavior can be divided into smaller units that can be scientifically investigated in isolation. This approach makes the dubious assumption that fed-year analysis of the parties can lead us to a heightened awareness of the set, forgetting that the whole is greater than the sum of the parts and the interaction of the parties is controlled by various structures of higher unit level.
relativism is also common in modern psychology. Part of the assumption that there are no absolute standards of right and wrong and there is no absolute truth or belief. If accepted, then the thesis that there can be no absolute certainty about anything, then the best thing to do is identify the scientist as probable, the random and changing, rather than what is consistent, normative and universal.
In view of the confrontation between experimentalists, factorial or behavioral, on the one hand, and the clini-cal or psychoanalysts, other, has emerged a third way called "Humanistic Psychology", whose main champion was Abraham Maslow and its main precursors Rogers, Allport and Fromm. This school advocates accept substantially all conflicting movements and develop the unrealized potential of the individual until it reaches maturity or psychological self. This movement is opposed to ideas about the man based on the study of animal behavior and is also opposed to behaviorism to worry about the total person, except the ability to choose from, the sense of values, emotional experiences, in a word The importance of subjective experiences.
Recently, has appeared that we might call the "fourth force" arising from the an-ing mentioned "Humanistic Psychology." The fourth way uses psychedelic therapy, meditation mystical-relaxing techniques of psychodrama, singing, dancing, etc. and even "naked marathons" and seances. Naturally, in this fourth way superficiality prevails, irrationality, confusion rhetoric and elements such as mysticism, occultism and altered states of consciousness, they would not have been tolerated fifty years ago. Today is not difficult to see how this pseudoscience based on flimsy foundations enters the same university. These movements, in addition to pre-sit very fragmented, trying to "change the course of history" before they understand and treat the man.
Against the background of modern psychology that looks very super-specialized, focusing on increasingly bizarre methods, using less and less understandable jargon and giving importance to details of little practical value, the question with Gary Collins "... if is possible that much of "what is offered is not a metapsychology, ie extra-preconceptions and unsubstantiated opinions of doubtful validity.
Psychology A way to stop would be to imitate the natural sciences, sharpen methodology, concomitant unifying theories and pay more attention to understanding, insight and psychological awareness. Also profundizaciónde humanistic psychology or Structural Form seems right track to understanding the man.
Indeed, structural psychology provides an understanding of the subject as a whole, so that the modification of one of its members interrelated affect the others. That is, the study of man as a whole means not losing the sense of nature "holistic" because there is no problem that is "strictly psychological, physical or just spiritual, but when it goes wrong part of the unified person, all the individual is affected. This is the principle underlying the psychosomatic medicine. Hippocrates said that there is no life without organization, or organization without unity, however, man is more than the sum of its parts, hence the qualitative to quantitative transcends the combination of elements. The analytical methodology used in natural science destroys the indivisible qualities of consciousness and feeling.
Graphology as a science.
Many scientists have been concerned with laboratory testing on writing, so we have Saudek who filmed and made experiments on the speed and rhythm of writing and Emil Kraepelin, German psychiatrist who established scales for measuring the pressure and weight of writing both sick like normal people.
hypnosis experiences on subjects submitted to different states of mind or making them believe they were this or that character have been tried with considerable success for Ferrari, Hericourt and France Richet (1886) and by Preyer and Lambros.o. In modern times, has carried out these experiments, the Italian Marco Marchesan Psicografólogo. Graphic variations of the differ-ent moods produced have agreed with graphics syndromes assigned by classical graphology.
Crépieux-Jamin made several identification tests. The most important is that made with 11 children (kindergarten age) who did draw a fixed number of tallies s on pieces of paper the same size and color. Once numbered the leaves and loa noted names, shuffled the pieces of paper and each child admitted without hesitation their own tallies. Usually the recognition or identification of a writing is due to a picture which in principle can not indicate the specific causes or particulars in which it is based identification.
Alfred Binet intelligence researcher and author of the test that bears his name, considered scientifically rigorous reliability of the results own handwriting at the request of Crépieux-Jamin. After a series of tests was given up by the percentage of accurate tests. Other sciences to which no one dares to dispute the title such as demanding not get results.
Psychological Research Institute of Milan has done a careful experiment on 839 test subjects and 60,000 controls, which has, consequently, determine 27,000 character traits, which are conveniently grouped and identified 226 clear graphic signs developers the psychological drivers that pull a total of 800 characteristics (tendencies or attitudes). This research has achieved a psychic system which demonstrates that graphology is and will be able to make psychological knowledge of man, and not only to appropriate knowledge. Psychological others, for carrying out their tasks using the current language.
The scientific method can do nothing more than give us the data, the interpretation of what is good or bad, ethical or illegitimate is qualified by entirely different methods. Scientists do not want to discuss the problem of "values." The handwriting bir described well the person tested is that "value" and enjui-CIAR from the beginning that says: "This person is well or other mode.
The reasons why many are reluctant to see the relationship between motion graphic and personality type are harmful and emotional. Resistance occurs because of social, reli-gious and plusvalorantes that not allow that the individual "I" can be so easily tested.
Graphology, as we have seen, using principles, laws, experimental basis, measure, tested hypotheses, technical terminology and other factors inherent in any human science, and also studied phenomena of universal validity such as rhythm, expressiveness, analog symbols, the unconscious reflection of cerebral origin personal writing, which does not exclude the possibility of error in diagnosis because the handwriting is judge and jury as the doctor. The error of diagnosis by the doctor does not mean that medicine has failed. We must also remember that the same uniqueness of each human being-hand lay, sometimes a barrier to any kind of science that studies the man.
Towards a scientific and humanistic Graphology
Graphology has been frequently criticized, partly because of ignorance, of lack of scientific rigor from the field of science or from the field of psychology. Usually ask complicated or rigid validation statistics laws.
Graphology, like all sciences, uses a methodology and a set of laws and principles which are p.ropios. No one can consider graphology as an autonomous science of psychology, but psychology itself as the expression, or more specifically to cr, etamente as Psychology of Scripture, as has been referred to various creators and researchers of science graphology . As we have previously shown that graphology is, as psychology, a "science education." Therefore, not just the critical-tices by unscientific psychology, since that science itself is fragmented and can hardly present a set of laws and principles of analysis and interpretation and, moreover, can the psychology of Scripture. Admittedly, however, that the best tracts of graphology does not usually present a systematic scientific principles underlying the science of graphology. It is important, in., Subsequent work, students of graphology, tend to systematize the wealth of knowledge and experience gained in the various "schools": French, German, Swiss and Italian. Counter-mind to what happens in Psychology, these different schools tend to converge and form a com-pact set of knowledge to present a single Graphology capitalized.
Graphology is much older than psychology and the use of tests, as we saw the dates to the origins of characterological terms, test, etc. Would have to go back to the Abbe Michon, around 1870, who received oral teachings of the Abbe Flandrin and knew the work of pioneering Swiss pastor and physiognomist Lavater. Graphology is always a "science education" in both psychology is in the same phase. Michon and said: "An imperfect science would not be science." Furthermore we must recognize that to-two methods or approaches to existing personality psychology has left its mark on Graphology and methods.
For more than a systematization of the scientific principles of graphology, do not forget the same principle applies to science in general is that in nature there are no rigid laws. Also in graphology should be used jointly by the rational and the intuitive knowledge, as we saw the philosopher Bergson suggested as a way to better understand the internal and external reality that is the subject of study of graphology.
Graphology and Psychology are doomed to move together because both sciences need a "scheme or functional structure of personality" to a full understanding of the individual. The handwriting is faced with an individual subject to be captured in all his person, therefore, can not be expected to apply the approach of experimental psychology. In Germany, graphology is often subordinated to psychology France characterological typology subordinates in Switzerland and the United States is often subordinate to psychoanalysis and, finally, Italy graphology generates an anthropological dimension which has to some extent, a schema theory or personality.
Graphology as psychoanalysis, has a certain interpretive category, ie, exegetical, and if it is criticized, have the consolation that it is like psychoanalysis itself or clinical psychology. Projective techniques are also criticized by psychologists who call themselves targets, and yet, these techniques are the best instrument to penetrate the individual's emotional conflictuality. Do not forget that graphology has a lot of projective test.
Modern Applied psychology is usually quite dehumanized, despite the movements of the "Humanistic Psychology", as many personality traits have lost their value to modern psychology has not been more than that: the heat to the work, the environ-ment and the ability to succeed, ie a set of features that antiquity had attributed to slaves and outcasts. (Nuttin)
Graphology is coupled with the "human psychology Nisticò" because it deals with the will, moral responsibility, conscience, the self, feelings, etc. Graphology also clarifies certain aspects of the study of personality that is the dilemma of experimental psychology, particularly as regards the perception of the total personality. With all property 'can be considered Ludwi, g Klages was first applied to a large extent, the theory of how graphology. The Psychology of Form is a branch of "humanistic psychology" and the handwriting view this psychology through his research, observed as each feature affects the expressive unity of personality, which is opposed to behaviorism in vogue.
Graphology as a method or technique is in a privileged situa-tion: the immediacy of being able to achieve with a summary of the whole person and their individuality uniquely differentiated, since the graph can be apprehended Iexpresión because it represents a movement coagulated or a fugitive gesture set that lends itself to a comprehensive study of great potential. To complete this work, we are pleased to reproduce the words of the eminent aeronautical engineer, a world expert in servomechanisms and also a psychiatrist and a great scholar handwriting, J. Ch Guille: "We must recognize that testing methodology and statistical techniques that are based in other disciplines are excellent, but have taken too much space in the psychology departments of universities to the point of sterilizing other research conducted the paths really new. "
note, in some areas of discussion, the question of whether Graphology is a science or a technical ...
As a theme for research consider the matter very exciting and encouraging to those who have opposing positions to make the current work of PROOF to know in the end they are faced with a science or a technique.
The following article is one of the best written and explanatory on the subject and, therefore, I edit the blog today, although it is a bit extensive.
As a theme for research consider the matter very exciting and encouraging to those who have opposing positions to make the current work of PROOF to know in the end they are faced with a science or a technique.
The following article is one of the best written and explanatory on the subject and, therefore, I edit the blog today, although it is a bit extensive.

SCIENCE, PSYCHOLOGY Y GRAPHOLOGY
(By J. Tutusaus - BULLETIN NUMBER 3 , Agrupación of Grafoanalistas Advisory España)
Science, leyes y theories
La palabra "scientific" invented by fue William Whewell in 1840 and the term "science" in its modern sense first appeared in the "Oxford Dictionary" in 1867.
According to common definitions, science could be defined as follows: science is the branch of knowledge concerning a coordinated and organized body of truths explained and demonstrated to a certain set of propositions or correct the narrative description of experienced events observed, classified methodically and coordinated by interrepración under general laws, and that includes reliable hypothesis for the further discovery of new activities in the domain is concerned.
Thus, science is only with statements that can be tested by empirical observation. That is, about things that can be described first, and then explained by a description logic of cause and effect. However, without a methodology for the elaboration of principles or general laws and theories, science would be such. The assumptions also must be verified experimentally.
observation and empirical experience involves a precise analysis, accurate and consistent of the events, while recognizing that in many cases, empirical knowledge rests on the subjective experience of the investigator. The empirical work is the unshakable basis on which to rest any generalization, principle or theory developed. In a sense, empirical science is the opposite of the theory. However, empirical work can reorient itself experimental and observational work. The empirical is closely related to technical, as almost all sciences, even the most abstract, have had their starting point in a technique. Therefore, it is true that research does not always precede the practical and even, sometimes, the intuitive researcher makes discoveries that later studies. Thus, any law or principle can be derived from empirical research or practical applications. However, in the first place, both empirical research and practical applications have had their origin in more or less original insights.
All experimental sciences are basically inductive. The inductive method is the most used is the most universally used, is to spend a few facts or general concepts that are tested by means of control and eriencia. Without this method of modern science would be lost.
empirical inductive method proceeds in the same manner specified in the definition of science given at the beginning:
1 phase. Data accumulation.
2 phase. Organization of data to find common patterns.
3 phase. Reasonable hypothesis in the form of principles that suggest the possible solution.
4 phase. Verification of the hypothesis.
A scientific law is an assertion of an unchanging, universal, essential and necessary that acts as a lowest common denominator to explain the greater number of experimental facts in the cause-effect relationship by making "generalizations tentative" high probability inductively through the methodological process of analysis and synthesis based on the repetitiveness of phenomena in identical circumstances.
All laws used to similar situations, and as Kant says, "everything that happens presupposes Previous something, which is the purpose in accordance with law. "That is, in equal conditions the same cause produces the same effect.
Nevertheless, the so-called" scientific laws "do not aspire to be valid general and absolute. Laws are not the final word, its constants are approximate only apply to relatively stable complexes. This is natural as well as future experiments, new data and better means of observation can Canvi empirical bases gave rise to certain laws. The scientific objective is to increase the number of laws, but accept any more logical, coherent, concise and supported by experimental facts.
The problem of science is the pursuit of "truth" rather abstract term recently used by scientists, but this can only be defined as "an accurate description of the world as it is in reality."
theories or hypotheses should form a system that relate to each other interpretations and explanations of all phenomena observed in a set of laws or principles with logical consistency, so that they can predict certain facts, derived from the new var propositions, generate research and suggestions RIR relationships that have not yet been tested or explored.
A theory should be taken in principle by some while the facts do not permit the production of a new theory that the scrolls. The axiomatic basis of the theory should be announced clearly, eliminating irrelevant aspects.
Limitations of Science.
In the scientific objectivity is desirable, but not always affordable, as is often the result of a subjective function-based on their previous posts more or less speculative nature. On the other hand, we must resist the notion that whatever it is p na study has to be described math-i 'mind. In other words, what can not be measured if
have great meaning and be subject to serious research. Despite
the rigor of empirical or inductive method, we must emphasize that there is much in the Universe can not be seen through scientific methods, and also what abe is not definitive, science does not support dogmas, as its truths are, most often, transitory and incomplete and does not reach-ing the essence of things. Poincaré showed that the science part of the hypothesis "comfortable" rather than choosing, paradoxically, logically, the most true. However, certain hypotheses are the result of an approach to truth through successive approximations and continuous correction tinged with juxtapositions. Also, formal logic has limited power; cer can not established the truth of the premises used in their deductions, and can avoid subjectivism. John Stuart Mill 'stated strongly that any definition of science must be "progressive" and "provisional."
In our age of relativism, the scientist is no firm basis to know the truth, or if we want we, the surrounding reality, and ultimately, the scientific data are considered likely based on changing circumstances, in a word relative.
Modern science is facing insoluble dilemmas. Newtonian physics said that the world was completely organized and that all events occurring under rigid natural laws hence the great progress of science from Newton and others, as it was to discover the laws inherent in all phenomena. But now under the discoveries related to quantum physics, it has been demonstrated that the material moves in an unspecified manner, ie, natural laws are not always rigid cause-effect relationships are variable, hence widely accepted theory that Heisenberg submicroscopic events do not occur in an appropriate relationship of cause and effect. This new conception of natural law is contrary to generally accepted determinism fatalistic character, mainly in the field of psychology. It has also been shown that maths is not accurate and it is not possible to predict with complete certainty the statistical calculation of probabilities. For all these reasons, we reach the con-cluded that the new physics does not allow observing the world with complete objectivity.
Henri Bergson, the most notable intuitionist philosopher of modern times, explained that the reason can only provide abstract knowledge, but never enough to penetrate the reality of life, time and space. Intellectual knowledge, he says, is external on abstract and partial, while the intuitive knowledge, when such is internal, immediate, vivid and complete. Extending the concept of "intuitive knowledge" may include Husserl, who says that out of the "enlightened view" of the essence no certainty is possible. Or put another way, it is not possible any particular research without acknowledging the essence.
Another limitation of science is that every area of \u200b\u200bhuman knowledge tends to develop the research method that is most appropriate, since any truly new science comes into existence only as you invent your own methods.
We must bear in mind the above, as there is a tendency to think that the advancement of our knowledge is extreme, being that the progress made in two in the last half century should be to us an lesson in humility rather than pride, because pre-cisely in psychology have been slow and insufficient.
Psychology, its importance and usefulness
seems that the term psychology was first used by the Protestant reformer Philip chton Mela in 1560. Before you use the word test, a term first introduced by Cattell in 1890, Julius had used the word Bahus characterologies in 1867. The use of psychological tests, as well as its creation is due originally to Galton about 1883. The most important test to measure the CI was not developed until 1904 by Binet-Simon. The Tests most important projects, namely, that of Hermann Rorschach was not developed until the period comprises from 1911 to 1921, although the term "projective techniques you" was not used until 1939 and introduced by Franck.
Psychology can be defined as the "science of conduct" has always covered a singular importance, so Goethe once said that "knowing the measure itself is a great strength." Alfred Adler in his book "The knowledge of man" speaks of the immense utility that could arise from the Psychological Science: "The men would live together much better if more knowledge of man, because certain forms disappear disrupters of the common life which are only now possible for not knowing, being thus exposed to pe-ger to be misled by external things and incur other misrepresentations and concealment. "Also in terms of optimism like Erich Fromm says "The Know thyself is one of the key slogans of force and human happiness."
modern times, psychology has undergone a huge expansion. For example, U.S. enn American Psychological Association comprises some 40,000 members, being that in 1890 only involved about 20 people. A-spite of this, the benefits appear may result from this science are viewed with considerable pessimism today, well as a distinguished psychologist George A. Miller has come to ask the question: why us psychologists, we can not solve the conflicts of our departments or professional associations to direct our more successful than others, suddenly proclaim that our work will solve the problems much more difficult for the decline of cities, racial conflict, international relations, public education or mental health? ". Certainly if psychologists ready-den being human behavior specialists are not able to project more light on human dilemmas hands, such as drug addiction, the state of the economy, pollution, etc. are all problems caused by people, the future of psycho-logical science and even society as a whole is bleak and uncertain. Amen
past, present or future of psychology, the most pressing issue is its scientific discussed both from outside and from the bosom of their theoretical and professional.
The scientific character of psychology.
psychology and biology, ethics and sociology, etc., Have seen the need to de-velop its own methods of investigation and that the constant term that characterizes the laws of das-called "science" is relative in respect to psychobiological dynamics. Psychology is experiencing major difficulties to establish itself as reliable science when trying to apply the same laws of physics that are rigid and analytical, while in psychology are both synoptic. General science in investigating real data, while psychology is concerned with the significance and meaning of these data. The introduction of scientific methodology has not been enough to make psychology a science homogeneous results, important as they are, are fragmented and dispersed, and as Jean Feller "is difficult to draw any that can be called, finalmen-te, the knowledge of man. "
The basic and fundamental difficulty for a systematic elaboration of the" science of behavior "is that life, the self, consciousness, emotions, etc. escape analysis, research and reduction palpable rigorous laws. In other words, man is too complex and indivisible for Abar-market as a whole and in its uniqueness and, therefore, can not be reduced to external habits, fragmentary results of test or simple physiological drives. As well said Allport, "the person is a shattered and never repeated phenomenon that at any time beyond the traditional scientific approach."
Finally, psychology is a science difficult to define and, as someone said, psychology lost its "psyche" and became a science of "mind", then missed the "mind" and became science "conscience." Finally, he lost his "conscience" and became a science of "behavior." When behaviorism, which is the prevailing theory, which is more scientific than the others, is replaced by another theory, what will become of the "behavior"? Certainly the behavior tends to be replaced, as we shall see, by human psychology, but nevertheless, it is almost impossible to find Psychology as complete a search for and find, simultaneously, the nature, the intimate mechanism, the meaning and purpose of psychic phenomena.
We would be cautious in the sense that although the concept of consideration of science, in terms of psychology is radically irreconcilably divided into two opposing factions: the experimental, with its roots in behaviorism, and the clinical field, which should Psychoanalysis, therefore no one must conclude that psychology is not science. In any case, is a "science education."
Different approaches in psychology.
is undeniable that progress sweeping of psychology Sigmund Freud is because psychoanalytic theories and their more or less dissidents cas. Your system can not always demonstrate through accepted scientific methods, or be attacked in a way that Freud considered valid, and that their "resistance" they say, can be explained psychoanalytically. Their belief in the unconscious determinants is a valid part-ogy in contemporary psychology. It must be emphasized that Freudian psychoanalysis is a "performance art" that gives meanings to expressions, slips, etc ... in short, is an art or science exegetical, as Paul Ricoeur and is based much more than it seems on intuition, without excluding any item of information, although it tends to oppose the statistical methods probably Psychoanalysis and Clinical Psychology, in its broadest sense, will remain the only method of in-depth study of the individual as well as in therapy, which does not is easy to discern in experimental psychology that is the only scientist in the classic sense of the term. Besides being an intuitive interpretive methodology, it is also introspective and can be regarded as valid because they show overlapping findings of different researchers who have used it.
must not ignore that psychoanalysis has been severely criticized and condemned for its methodology académic.a not branded, but no other approach to psychology has proved so fruitful for psychological research.
Other renowned clinical psychologists have established propositions quite opposite to the position of Freud. Rank, the father of social work in the U.S., presented the idea that the will was an important determinant of behavior. Frankl said that the patient must develop a more positive image of itself. Glasser emphasizes the moral responsibility of the subject. And finally, Rogers also dismisses Freud's pessimism and its rigid determinism.
The broad spectrum of psychology Clinic has over 200 "schools" differ from therapy, with over 10,000 specific techniques, so FH Garrison has been said that "when there are many remedies used for a disease, we can say we know very little about it" .
The "second Iuerza is behaviorism and behaviorism says truly experimental methods scientists use, which are based delicacy medially in the" animal psychology, statistics and factorial. However, weaknesses provides for easy refutaci n. Behaviorism is based on the re-strapping Pavlov conditioned. More fundamental criticism against reflexology is that its denial of freedom, the reduction of the psyche to stimulus-response scheme and exclusion which makes consciousness and introspection, it does not take into account that human behavior is not always predictable human responses involving sense, the idea of \u200b\u200bvalue, intent and meaning that can only be understood and observed subjectively and introspectively at their own conscience. In other words, psychic phenomena have final character. Consciousness is only known by another consciousness, or in other words, psychic phenomena must be apprehended subjectively. The objectified the psyche is just a physiological aspect, but not all the psyche. Man is
more than an outward behavior with principles of objective or observable physical or physiological, since you can not remove the self conscious, voluntary choice, experiencing deep and unexpressed mental activities. If the internal ideas, according to Skinner, are "fiction", the same behavioral perspective can be quite properly labeled "fiction", therefore, his theories of determinism so tight that deny the dignity of man are destroyed themselves.
We can not ignore the issue of tests developed through systematic analysis factorialist, nor fall into the easy cliché that "a test is not anything, but anything can be converted into a test. "Still, we must make some repairs to the respective factor analysis, as a significant danger is to fall into the so-called operation of SS Stevens, who said:" Do not waste time trying to agree on definitions For example, what is "intelligence." Let's say, however, intelligence is simply what tests measure. "Thus, there is the danger of vagueness. The theory of fac-torial features is a fragmentary theory has not sufficiently taken into account the various forms of in-interaction between the subject and the environmental reality, and also certain factors have an irreducible basis doubtful and difficult to prove, as well as ta work capacity or not derived from other dimensions. The traditional tests, which investigate the various components of personality, not expressed in the mutual interferences in-unit structure, hence the synthesis of anecdotal evidence that gets put to the psychologist in the inevitable risk of falling into subjectivism and incompleteness. The danger of the factorial is called reductionism, which is the assumption that all human behavior can be divided into smaller units that can be scientifically investigated in isolation. This approach makes the dubious assumption that fed-year analysis of the parties can lead us to a heightened awareness of the set, forgetting that the whole is greater than the sum of the parts and the interaction of the parties is controlled by various structures of higher unit level.
relativism is also common in modern psychology. Part of the assumption that there are no absolute standards of right and wrong and there is no absolute truth or belief. If accepted, then the thesis that there can be no absolute certainty about anything, then the best thing to do is identify the scientist as probable, the random and changing, rather than what is consistent, normative and universal.
In view of the confrontation between experimentalists, factorial or behavioral, on the one hand, and the clini-cal or psychoanalysts, other, has emerged a third way called "Humanistic Psychology", whose main champion was Abraham Maslow and its main precursors Rogers, Allport and Fromm. This school advocates accept substantially all conflicting movements and develop the unrealized potential of the individual until it reaches maturity or psychological self. This movement is opposed to ideas about the man based on the study of animal behavior and is also opposed to behaviorism to worry about the total person, except the ability to choose from, the sense of values, emotional experiences, in a word The importance of subjective experiences.
Recently, has appeared that we might call the "fourth force" arising from the an-ing mentioned "Humanistic Psychology." The fourth way uses psychedelic therapy, meditation mystical-relaxing techniques of psychodrama, singing, dancing, etc. and even "naked marathons" and seances. Naturally, in this fourth way superficiality prevails, irrationality, confusion rhetoric and elements such as mysticism, occultism and altered states of consciousness, they would not have been tolerated fifty years ago. Today is not difficult to see how this pseudoscience based on flimsy foundations enters the same university. These movements, in addition to pre-sit very fragmented, trying to "change the course of history" before they understand and treat the man.
Against the background of modern psychology that looks very super-specialized, focusing on increasingly bizarre methods, using less and less understandable jargon and giving importance to details of little practical value, the question with Gary Collins "... if is possible that much of "what is offered is not a metapsychology, ie extra-preconceptions and unsubstantiated opinions of doubtful validity.
Psychology A way to stop would be to imitate the natural sciences, sharpen methodology, concomitant unifying theories and pay more attention to understanding, insight and psychological awareness. Also profundizaciónde humanistic psychology or Structural Form seems right track to understanding the man.
Indeed, structural psychology provides an understanding of the subject as a whole, so that the modification of one of its members interrelated affect the others. That is, the study of man as a whole means not losing the sense of nature "holistic" because there is no problem that is "strictly psychological, physical or just spiritual, but when it goes wrong part of the unified person, all the individual is affected. This is the principle underlying the psychosomatic medicine. Hippocrates said that there is no life without organization, or organization without unity, however, man is more than the sum of its parts, hence the qualitative to quantitative transcends the combination of elements. The analytical methodology used in natural science destroys the indivisible qualities of consciousness and feeling.
Graphology as a science.
Many scientists have been concerned with laboratory testing on writing, so we have Saudek who filmed and made experiments on the speed and rhythm of writing and Emil Kraepelin, German psychiatrist who established scales for measuring the pressure and weight of writing both sick like normal people.
hypnosis experiences on subjects submitted to different states of mind or making them believe they were this or that character have been tried with considerable success for Ferrari, Hericourt and France Richet (1886) and by Preyer and Lambros.o. In modern times, has carried out these experiments, the Italian Marco Marchesan Psicografólogo. Graphic variations of the differ-ent moods produced have agreed with graphics syndromes assigned by classical graphology.
Crépieux-Jamin made several identification tests. The most important is that made with 11 children (kindergarten age) who did draw a fixed number of tallies s on pieces of paper the same size and color. Once numbered the leaves and loa noted names, shuffled the pieces of paper and each child admitted without hesitation their own tallies. Usually the recognition or identification of a writing is due to a picture which in principle can not indicate the specific causes or particulars in which it is based identification.
Alfred Binet intelligence researcher and author of the test that bears his name, considered scientifically rigorous reliability of the results own handwriting at the request of Crépieux-Jamin. After a series of tests was given up by the percentage of accurate tests. Other sciences to which no one dares to dispute the title such as demanding not get results.
Psychological Research Institute of Milan has done a careful experiment on 839 test subjects and 60,000 controls, which has, consequently, determine 27,000 character traits, which are conveniently grouped and identified 226 clear graphic signs developers the psychological drivers that pull a total of 800 characteristics (tendencies or attitudes). This research has achieved a psychic system which demonstrates that graphology is and will be able to make psychological knowledge of man, and not only to appropriate knowledge. Psychological others, for carrying out their tasks using the current language.
The scientific method can do nothing more than give us the data, the interpretation of what is good or bad, ethical or illegitimate is qualified by entirely different methods. Scientists do not want to discuss the problem of "values." The handwriting bir described well the person tested is that "value" and enjui-CIAR from the beginning that says: "This person is well or other mode.
The reasons why many are reluctant to see the relationship between motion graphic and personality type are harmful and emotional. Resistance occurs because of social, reli-gious and plusvalorantes that not allow that the individual "I" can be so easily tested.
Graphology, as we have seen, using principles, laws, experimental basis, measure, tested hypotheses, technical terminology and other factors inherent in any human science, and also studied phenomena of universal validity such as rhythm, expressiveness, analog symbols, the unconscious reflection of cerebral origin personal writing, which does not exclude the possibility of error in diagnosis because the handwriting is judge and jury as the doctor. The error of diagnosis by the doctor does not mean that medicine has failed. We must also remember that the same uniqueness of each human being-hand lay, sometimes a barrier to any kind of science that studies the man.
Towards a scientific and humanistic Graphology
Graphology has been frequently criticized, partly because of ignorance, of lack of scientific rigor from the field of science or from the field of psychology. Usually ask complicated or rigid validation statistics laws.
Graphology, like all sciences, uses a methodology and a set of laws and principles which are p.ropios. No one can consider graphology as an autonomous science of psychology, but psychology itself as the expression, or more specifically to cr, etamente as Psychology of Scripture, as has been referred to various creators and researchers of science graphology . As we have previously shown that graphology is, as psychology, a "science education." Therefore, not just the critical-tices by unscientific psychology, since that science itself is fragmented and can hardly present a set of laws and principles of analysis and interpretation and, moreover, can the psychology of Scripture. Admittedly, however, that the best tracts of graphology does not usually present a systematic scientific principles underlying the science of graphology. It is important, in., Subsequent work, students of graphology, tend to systematize the wealth of knowledge and experience gained in the various "schools": French, German, Swiss and Italian. Counter-mind to what happens in Psychology, these different schools tend to converge and form a com-pact set of knowledge to present a single Graphology capitalized.
Graphology is much older than psychology and the use of tests, as we saw the dates to the origins of characterological terms, test, etc. Would have to go back to the Abbe Michon, around 1870, who received oral teachings of the Abbe Flandrin and knew the work of pioneering Swiss pastor and physiognomist Lavater. Graphology is always a "science education" in both psychology is in the same phase. Michon and said: "An imperfect science would not be science." Furthermore we must recognize that to-two methods or approaches to existing personality psychology has left its mark on Graphology and methods.
For more than a systematization of the scientific principles of graphology, do not forget the same principle applies to science in general is that in nature there are no rigid laws. Also in graphology should be used jointly by the rational and the intuitive knowledge, as we saw the philosopher Bergson suggested as a way to better understand the internal and external reality that is the subject of study of graphology.
Graphology and Psychology are doomed to move together because both sciences need a "scheme or functional structure of personality" to a full understanding of the individual. The handwriting is faced with an individual subject to be captured in all his person, therefore, can not be expected to apply the approach of experimental psychology. In Germany, graphology is often subordinated to psychology France characterological typology subordinates in Switzerland and the United States is often subordinate to psychoanalysis and, finally, Italy graphology generates an anthropological dimension which has to some extent, a schema theory or personality.
Graphology as psychoanalysis, has a certain interpretive category, ie, exegetical, and if it is criticized, have the consolation that it is like psychoanalysis itself or clinical psychology. Projective techniques are also criticized by psychologists who call themselves targets, and yet, these techniques are the best instrument to penetrate the individual's emotional conflictuality. Do not forget that graphology has a lot of projective test.
Modern Applied psychology is usually quite dehumanized, despite the movements of the "Humanistic Psychology", as many personality traits have lost their value to modern psychology has not been more than that: the heat to the work, the environ-ment and the ability to succeed, ie a set of features that antiquity had attributed to slaves and outcasts. (Nuttin)
Graphology is coupled with the "human psychology Nisticò" because it deals with the will, moral responsibility, conscience, the self, feelings, etc. Graphology also clarifies certain aspects of the study of personality that is the dilemma of experimental psychology, particularly as regards the perception of the total personality. With all property 'can be considered Ludwi, g Klages was first applied to a large extent, the theory of how graphology. The Psychology of Form is a branch of "humanistic psychology" and the handwriting view this psychology through his research, observed as each feature affects the expressive unity of personality, which is opposed to behaviorism in vogue.
Graphology as a method or technique is in a privileged situa-tion: the immediacy of being able to achieve with a summary of the whole person and their individuality uniquely differentiated, since the graph can be apprehended Iexpresión because it represents a movement coagulated or a fugitive gesture set that lends itself to a comprehensive study of great potential. To complete this work, we are pleased to reproduce the words of the eminent aeronautical engineer, a world expert in servomechanisms and also a psychiatrist and a great scholar handwriting, J. Ch Guille: "We must recognize that testing methodology and statistical techniques that are based in other disciplines are excellent, but have taken too much space in the psychology departments of universities to the point of sterilizing other research conducted the paths really new. "
Sunday, February 20, 2011
Play Cube Field Unblocked
The new Salernitana Calà
A wish was more than due for a fan of faith grenade which follows the fortunes of his beloved jacket away from his home town.
The facts are so. For a step back from the brink check the owner suddenly dall'oltreoceano all-rounder which notes the actions of Anthony Lombardi and promises to revive economic and sporting Salernitana. His arrival is accompanied by a series of bombastic statements as exciting as, inter alia, to shoot against the system zero calcium Italy.
Calà His name is Joseph, alias Joseph, an Italian originally from a village in Sicily who emigrated to the U.S. in search of fortune . There
believe him?
do not know, are the facts to prove it. One thing is certain: Joseph Calà as a manager seems to be prepared and have clear ideas about the future of society. It is not promising the moon landing at Salerno. The commitment more difficult, he acknowledges, is undoubtedly the company to iron out the outstanding and poor management of the nefarious President Lombardi. Then focus on young athletes on the one hand, on the other Salernitana to revive the brand marketing and merchandising, and aim to have a listing. His
Cala Corporation is listed on the Nasdaq Amerca that certainly is not the flea market. These are credentials with a capital C for an entrepreneur.
In three years so that the Lord wants to reach the First Division, ambitious but not impossible. The planning has been made manifest. Of course we must then verify whether Salerno will be enhanced, thanks to his contribution, quell'impianto of sports facilities, so often praised by his predecessors and are vital to achieving these results.
Calà its part as a man comes from nowhere and its history is worthy of attention. Maybe it's a whimsical and colorful in the way but as with all forms will be the pitch to recognize dovergli merits or demerits.
Salerno must now wait . I also believe that the premises to lay the foundations for a future there are now pink. Yesterday the news of the payment of salary to the first three players.
Salerno believes it.
Happy Birthday Joseph, let us dream again.

A wish was more than due for a fan of faith grenade which follows the fortunes of his beloved jacket away from his home town.
The facts are so. For a step back from the brink check the owner suddenly dall'oltreoceano all-rounder which notes the actions of Anthony Lombardi and promises to revive economic and sporting Salernitana. His arrival is accompanied by a series of bombastic statements as exciting as, inter alia, to shoot against the system zero calcium Italy.
Calà His name is Joseph, alias Joseph, an Italian originally from a village in Sicily who emigrated to the U.S. in search of fortune . There
believe him?
do not know, are the facts to prove it. One thing is certain: Joseph Calà as a manager seems to be prepared and have clear ideas about the future of society. It is not promising the moon landing at Salerno. The commitment more difficult, he acknowledges, is undoubtedly the company to iron out the outstanding and poor management of the nefarious President Lombardi. Then focus on young athletes on the one hand, on the other Salernitana to revive the brand marketing and merchandising, and aim to have a listing. His
Cala Corporation is listed on the Nasdaq Amerca that certainly is not the flea market. These are credentials with a capital C for an entrepreneur.
In three years so that the Lord wants to reach the First Division, ambitious but not impossible. The planning has been made manifest. Of course we must then verify whether Salerno will be enhanced, thanks to his contribution, quell'impianto of sports facilities, so often praised by his predecessors and are vital to achieving these results.
Calà its part as a man comes from nowhere and its history is worthy of attention. Maybe it's a whimsical and colorful in the way but as with all forms will be the pitch to recognize dovergli merits or demerits.
Salerno must now wait . I also believe that the premises to lay the foundations for a future there are now pink. Yesterday the news of the payment of salary to the first three players.
Salerno believes it.
Happy Birthday Joseph, let us dream again.
Tuesday, February 15, 2011
Congratulations Last Month Before Baby Is Born
Compliments are not ranking the goals of the festival
The Pordenone back empty-handed also on the Tenni Treviso, having played for large stretches of the best leaders. I continue to express neroverdi good game, but the average points in the second round is from the relegation zone. I can not figure out what does not work in teams Bosi, which at times dominated their opponents, but then falls in naivety often lethal. That was evident Sunday when the last breath of a perfect first time, Campaner and members were able to get goals on the counterattack was born from a corner in favor. In the second half of the blue-white house in ten were for a last man foul, but ours have struggled even more to worry the goalkeeper Treviso, only to be (still on the break) the doubling full recovery. So Treviso, seemed irresistible not have to face in against us, it keeps the championship lead, while the lizard slips to positions of complete anonymity. The 13 supporters were present in the Veneto involuntary actors in a depressing incident occurred shortly before the beginning: our group was quietly reaching the industry guests, some home fans when we have repeatedly invited them to drink in a bar run by Chinese. Given the insistence we decided to stop for a beer fast even though we were practically attached at the stadium and widely recognizable by their scarves. After a few minutes the bar was filled with supporters of Treviso and we wanted to speed up the refreshed to avoid that our presence was misinterpreted as a provocation, although no fan biancazzurri had expressed impatience or threatening gestures. As long as the classic phenomenon, making frantic began to threaten to leave the bar screaming like hell, or we would end badly. Forte inevitable that the knot was joined in the subject has also cited some of our acts to be "heroes" in the first leg. Apparently occurred only in his mind, as fans arrived at Trevisani Bottecchia were respected as those that occurred without insult. The uproar led to the intervention of two agents of Digos, we have also requested to leave the room quickly. The agents will prove to be constant throughout the game then, and until the arrival of the train station. Inside the stadium, home of the curve we have ignored (as you would expect from a large fan base and sailed it in front of a group of 13 people) and has regularly supported the players home, particularly with an endless chorus on the notes God Save The Queen. We Pordenone we were commendable, both during the episode mentioned that during the game. Each of these can be proud of this trip. Next Sunday we rest, see you in Feb. 27, when it comes to Bottecchia the City of Concord.
+
kind Photos granting Enrico Manzini - www.fbctreviso.net/
The Pordenone back empty-handed also on the Tenni Treviso, having played for large stretches of the best leaders. I continue to express neroverdi good game, but the average points in the second round is from the relegation zone. I can not figure out what does not work in teams Bosi, which at times dominated their opponents, but then falls in naivety often lethal. That was evident Sunday when the last breath of a perfect first time, Campaner and members were able to get goals on the counterattack was born from a corner in favor. In the second half of the blue-white house in ten were for a last man foul, but ours have struggled even more to worry the goalkeeper Treviso, only to be (still on the break) the doubling full recovery. So Treviso, seemed irresistible not have to face in against us, it keeps the championship lead, while the lizard slips to positions of complete anonymity. The 13 supporters were present in the Veneto involuntary actors in a depressing incident occurred shortly before the beginning: our group was quietly reaching the industry guests, some home fans when we have repeatedly invited them to drink in a bar run by Chinese. Given the insistence we decided to stop for a beer fast even though we were practically attached at the stadium and widely recognizable by their scarves. After a few minutes the bar was filled with supporters of Treviso and we wanted to speed up the refreshed to avoid that our presence was misinterpreted as a provocation, although no fan biancazzurri had expressed impatience or threatening gestures. As long as the classic phenomenon, making frantic began to threaten to leave the bar screaming like hell, or we would end badly. Forte inevitable that the knot was joined in the subject has also cited some of our acts to be "heroes" in the first leg. Apparently occurred only in his mind, as fans arrived at Trevisani Bottecchia were respected as those that occurred without insult. The uproar led to the intervention of two agents of Digos, we have also requested to leave the room quickly. The agents will prove to be constant throughout the game then, and until the arrival of the train station. Inside the stadium, home of the curve we have ignored (as you would expect from a large fan base and sailed it in front of a group of 13 people) and has regularly supported the players home, particularly with an endless chorus on the notes God Save The Queen. We Pordenone we were commendable, both during the episode mentioned that during the game. Each of these can be proud of this trip. Next Sunday we rest, see you in Feb. 27, when it comes to Bottecchia the City of Concord.
+
kind Photos granting Enrico Manzini - www.fbctreviso.net/


Monday, February 7, 2011
Over Head Casket Lamp
Bottecchia
Certainly when they meet the neroverdi Tamai there is no danger of being bored; had happened the first leg, where he finished 2-2, very bad day thanks to the goalkeeper of the "angry red" and the rule was again confirmed in the challenge of Bottecchia. The guests, as usual, followed by numerous fans in Pordenone, which fill half the stands. The public part of neroverde is still quite warm, and we happily left to drag us supporters, we sing without stopping even for a 3-1 lead Tamai. The race started well, with a bailer Which brings us to assist in benefit of the usual Herrera. Guests react and become dangerous with the former Piperissa and Lily, on both occasions he may be found ready Bortolin. Unfortunately at 24 'and 31' reach the two goals tamaioti; etrambi in case the credit goes to Llullaku, which forces Campaner all'autogol first, and then diagonally over Bortolin. In the second half with a 3-1 lead to be Lily Tamai, while ours were ten Marson's injury. The angry red and seem to play in fluency master of the field, but have not come to terms with Rossi, who at 30 'slips in low shot on an assist by magician Herrera, and then output will not forgive the wicked Zanette scoring with a beautiful lob. At 50 'in full recovery, Buttignaschi it makes 60-meter counterattack in the field, but he can not dribble Zanette. Ends in a tie, a point that is of little value, but for the Tamai Bottecchia remains taboo.
Certainly when they meet the neroverdi Tamai there is no danger of being bored; had happened the first leg, where he finished 2-2, very bad day thanks to the goalkeeper of the "angry red" and the rule was again confirmed in the challenge of Bottecchia. The guests, as usual, followed by numerous fans in Pordenone, which fill half the stands. The public part of neroverde is still quite warm, and we happily left to drag us supporters, we sing without stopping even for a 3-1 lead Tamai. The race started well, with a bailer Which brings us to assist in benefit of the usual Herrera. Guests react and become dangerous with the former Piperissa and Lily, on both occasions he may be found ready Bortolin. Unfortunately at 24 'and 31' reach the two goals tamaioti; etrambi in case the credit goes to Llullaku, which forces Campaner all'autogol first, and then diagonally over Bortolin. In the second half with a 3-1 lead to be Lily Tamai, while ours were ten Marson's injury. The angry red and seem to play in fluency master of the field, but have not come to terms with Rossi, who at 30 'slips in low shot on an assist by magician Herrera, and then output will not forgive the wicked Zanette scoring with a beautiful lob. At 50 'in full recovery, Buttignaschi it makes 60-meter counterattack in the field, but he can not dribble Zanette. Ends in a tie, a point that is of little value, but for the Tamai Bottecchia remains taboo.
How To Beat Level 18 On Bloons Player Pack 3
THE DAYS OF THE OTHER Pordenone 06/02/11
company touched, if not thrown away, from Pordenone in Serie B football 5. The neroverdi led 4-1 just minutes from the end of the field leaders Villorba, but there has been reached on time expired. Pordenone is now ranked second to last, in the middle of the relegation zone. Saturday will Vallenoncello Imola, the fourth in the standings. There was no alternative to victory for the Caf Pienne B Basketball Championship, fortunately victory was against Rovereto behind. The red and white you are required to conduct 75-64 in a race virtually from start to finish, despite the absence of play Fanchini. Guests Trentino the honors of war, for fighting to the end, going so far as to -7 after being under twenty points. Pienne gnawing at the fourth last two points, all defeats. Wednesday travel difficult against the league leaders Marostica, the forum again next Sunday against Horn Rosazzo. |
Tuesday, February 1, 2011
How To Sow A Churidhar Pajami
THE DAYS OF THE OTHER Pordenone 30/01/11
bang of Caf Pienne in Serie B National Basketball . The red and white to beat the league leaders 69-65 Ravenna. Ahead by 20 points halfway through the race, the Pordenone have been thinking the return of the Romagna in the third quarter, eventually playing the race point to point. In the decisive moments a forum really pushed the glowing Pienne to a victory that raised the hopes of salvation. Good debut of new signing, former Triveneta Albignasego, Adriano Pigato. Next Sunday, again at the forum, against Rovereto. Victory a must.
Saturday's defeat Caf Pordenone 2004 Series A1 Hockey . At Palamarrone passed the leaders Lodi, but arancioblù played a very good race, only losing 3-1. Pordenonesi still third from last, ahead of Prato and Roller Bassano.
Also on Saturday, a Vallenoncello the Pordenone Calcio drew 3-3 with 5 the important match against the Islet Salvation Florence bringing up the rear in front of a large audience. Salvation is very complicated.
bang of Caf Pienne in Serie B National Basketball . The red and white to beat the league leaders 69-65 Ravenna. Ahead by 20 points halfway through the race, the Pordenone have been thinking the return of the Romagna in the third quarter, eventually playing the race point to point. In the decisive moments a forum really pushed the glowing Pienne to a victory that raised the hopes of salvation. Good debut of new signing, former Triveneta Albignasego, Adriano Pigato. Next Sunday, again at the forum, against Rovereto. Victory a must.
Saturday's defeat Caf Pordenone 2004 Series A1 Hockey . At Palamarrone passed the leaders Lodi, but arancioblù played a very good race, only losing 3-1. Pordenonesi still third from last, ahead of Prato and Roller Bassano.
Also on Saturday, a Vallenoncello the Pordenone Calcio drew 3-3 with 5 the important match against the Islet Salvation Florence bringing up the rear in front of a large audience. Salvation is very complicated.
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